Good Prose – Page 2 – Marked for Plot

Novella Readathon #1: Penric’s Demon

I knew that I wanted to start my 31 Novellas in 31 Days Readathon with something that I was almost certain I’d love. Penric’s Demon was a great choice for that. I’ve liked Bujold’s work in the past, the novella has a sterling reputation, and possession is shaping up to be a running theme for some of my 2026 reads (I highly recommend Asunder and Striker V, was less enamored with Ninefox Gambit, and am probably going to read If Found, Return to Hell for this project). This novella is going to be a good fit for anyone interested in something relatively low key and character-focused. My only regret of reviewing this first is that I need to wait until the end of the month to read any more in the series, because I am chomping at the bit to follow these characters.

The Premise:
Penric is a minor lordling on the way to his own betrothal when he stumbles upon a dying woman. It turns out she was host to one of The Bastard’s demons, who jumped ship to Penric as her new host. Now he’s got the voices of the previous 10 hosts (12 if you count the lion and the sheep) in his head, magic powers he didn’t ask for, and a host of people jealous and scared of him. He really just wanted a quiet life, but at least the Demon (whom he names Desdemona) is nice. For her part, she’s just surprised that Penric is treating her with kindness and humanity, and quickly decides that she rather likes this poor oblivious young man.

Read If Looking for: friendly and oblivious doofuses stumbling into trouble, negotiating with ancient entities who are surprised at how chill you are, the goodness of humanity

Avoid If Looking for: satisfying plot arcs, malevolent spirits, energetic combat sequences

Comparable Media: The Goblin Emperor/Cemeteries of Amalo, Murderbot Diaries, The Dragon’s Banker

The God Eaters – Soul Crushingly Good

Sometimes, a book hits you like a ton of bricks. They help you redefine your taste, shift the types of stories you pick moving forward, and relentlessly find their way into your recommendations to other readers. Over time, I’ve noticed that my version of these books tend to have rigorous character development, a strong narrative voice, and something to say that goes beyond ‘kill the villain’. The God Eaters is one of those books. Like most of the stories that rip my heart out of my chest, I don’t think it will be for everyone: This novel has too much romance for the typical Fantasy fan, and it trades the tropey goodness Romance enthusiasts crave for a more serious examination of trauma, colonialism, and survival, and most Western fans don’t want to read about two dudes kissing. For me, those elements add up to lightning in a bottle.

Will it be my book of the year? I hope not, only because I would love to read other books that hypnotize me like this one does. It’s definitely a frontrunner though

The Premise:
In a religious theocracy, a pair of remarkable men end up as cellmates in a prison for the magically talented. Kieran is a bandit fighting back against the country who killed his people, forced him into sexual slavery, and addicted him to opium. Ash and his Aunt published rebellious propaganda. The bandit can kill those he hates with a thought, and the writer has a minor empathic gift he uses to avoid trouble. Their journey involves ancient gods, prison breaks, treks across vast deserts, and a lot of agonizingly slow negotiation of their feelings towards each other. They mostly just want to live their lives free from the shadow of religious tyranny. However, the White Watch is relentless and the god who rules them even more so.

Read If You Like: Fantasy Westerns, introspection, anti-colonialist Fantasy from decades ago, awe-inspiring storms, thematically rigorous Romance

Avoid If You Dislike: yearning and pining, underexplained magic, tonal shifts in the third act, ‘he could never like me’

Comparable Media: Heart of Stone, Aristotle and Dante Discover the Secrets of the Universe, The Fall of Kings

Works of Vermin – When Bugs Go to the Opera

I have been dying to read this book for ages. Eldritch bugs + magic perfume + creepy operas = one hell of an idea for a book, and every review I’ve seen has said it lives up to its premise. I got lost wandering the streets of Hiron Ennes’ imagination. It is a decadent new entry in the New Weird genre, and it feels extremely apt for a world that sees the potential for the first human being to become a trillionaire. This book is a masterpiece, and I really wish I hadn’t read it near the end of the school year as my brain is struggling to remember which hallway the copy room is in.

The Premise:
Guy is a vermin exterminator in the undercity, struggling to support himself and his younger sister. Aster is the chief perfumer for the violent Grand Marshal, who wears the skulls of those who would kill him as helmets. An insect with a taste for fine art has begun feeding in the city, and political unrest has begun to stir.

Read If Looking For: violent revolutions, weird worldbuilding, the dangers of capitalism, so many operas, big ass bugs

Avoid If Looking For: windowpane prose, clear explanations of how things work, dramatic fight scenes

Comparable Media: Perdido Street Station, Ambergreis, The Divine Cities

The Spear Cuts Through Water – Epic Fantasy told Three Ways

Words are not enough to describe how nervous I was to suggest my in-person book club read The Spear Cuts Through Water. Was it everything I remembered, or are my memories clouded by the pink haze of nostalgia? Would my friends like it as much as I did? Was the brutality and violence of the book excessive? Would I still think about this as my favorite book of all time? That’s a lot of pressure to put on a book, and expectations are the mother of all disappointment.

Thankfully, it absolutely stood up to the book of my memories. I think I liked it more this time around, and I certainly noticed things that I had missed in my first readthrough. The jury is still out on whether or not my friends will love it like I do. My only regrets are starting this book a little too close to our book club meeting – it’s tomorrow! – which coincided with a bout of brain frog that left Jimenez’s gorgeous pose a bit more difficult than I was equipped to handle after a long day of work. However, I consider it the best book I’ve ever read, and it represents the direction that I wish epic fantasy would start to explore.

The Premise:
In the inverted theater, the child of Moon and Water performs for you a story of your people’s history. You’d heard this story before. It is the one your Lola told you and that you told your brothers in turn. It follows Keema and Jun, one an outcast with one arm and the other a monster of a man searching for a path towards redemption. They escort the Moon in her desperate bid to escape the empire freeing her from 8 generations of servitude and the people from 8 generations of tyranny. This is a tender story of the journey of two boys, a chronicle of the death of an empire, an exploration of guilt and shame and violence, and it is a story about how our past ripples into our future.

Read If Looking For: a simple story transformed by its format, an ode to the oral history of Fantasy, standalone epic fantasy, a very wise tortoise

Avoid If Looking For: straightforward storytelling, books free from graphic violence or sexual assault, rapid pacing

Comparable Media: Spear (by Nicola Griffith), Hyperion, Princess Mononoke

The Fall of Kings – Political Intrigue in Medieval Academia

I finally got around to reading the third – and final – novel in the Riverside series. While it is a sequel, they can really be read in any order or can stand alone just fine. In this entry, we trade swordplay for academic debate. Other than the shift from sword to pen however, the structural DNA of The Fall of Kings fits with its predecessors. Expect gorgeous prose, political intrigue, problematic queer leads, and lots of guys cheating on their wives.

The Premise:
Theron Campion is the heir to House Tremontaine, but he’s more interested in his various affairs than learning anything of politics. His newest infatuation is Basil St. Cloud, a Doctor of Ancient History who is angling for the Horn Chair and a significant pay bump. As the two kick off an affair, Basil begins to grow more and more infatuated with the idea that the ancient Wizards actually were magic, and that the Kings had a magical connection with the land. Theron, funnily enough, is a descendent of both the ancient Kings and the Duke who slew the last one. Their romance, politics (family, academy, city council), and emotions get swept up as part of the newest chapter of a very, very old story.

Read If Looking For: the cluttered posturing of university professors, morally and emotionally dubious characters, slow pacing, the importance of idle gossip

Avoid If Looking For: fleshed out female characters, the swordfights of earlier Riverside books, a book where you understand how the magic works

Comparable Media: Greenwode, The Goblin Emperor, Downton Abbey

The Memory of the Ogisi – A Haunting Conclusion to the Forever Desert

I’ve been chewing on the Forever Desert Trilogy since 2023. Books that are interested in the art of storytelling are candy for me, and this trilogy takes a different approach than most. I actually use the first book in the Speculative Fiction course I teach to high schoolers. This series benefits from gaps between each book in the series: the way Utomi plays with history in this trilogy works best when your memory of the past book is a little bit fuzzy. I liked the first two books in this series a lot, but this book is by far my favorite of the three. It’s pretty bleak, and probably not for everyone, but it really worked for me.

For reviews of the first two books in this series, see The Lies of the Ajungo and The Truth of the Aleke

The Premise
In this iteration of the Forever Desert, a minor historian departs from The City of a Thousand Stories in search of the famed Tomb of Osi. His journey brings him into contact with historians from other cities in search of other cities. What he finds causes him to rethink his society’s role in the world, and what he brings back sparks the change that will bring The Forever Desert into its next generation of oppression, control, and violence.

Read if: you’re looking for a blend of folkloric storytelling and epic fantasy, you’re interested in darkly thematic explorations of truth, power, and history

Avoid if: you dislike books that lack hope,you want worldbuilding to feel consistent and explainable

Comparable Titles: 1984, A Conspiracy of Truths, The Giver Quartet

Asunder – An Episodic Eldritch Fantasy

I think I’ve taken Asunder off my TBR about three times as I try to keep it at manageable levels. Invariably, I see a review that piques my interest enough for it to go back onto the pile. If I’m honest, the cover art put me off. It’s unfair, I know (don’t judge a book by its cover and all that), but Asunder’s cover is as beautiful as it is misleading. When I opened the pages, I assumed I’d be walking into a well-written romance with a teenage year old lead. Instead I walked through the dreams of dead gods as a 29 year old woman scrabbles to retain her personhood in the face of uncaring worlds. It will make you feel small and wonder and disgust and hopeless. If you’re willing to give it the space to breathe, it will take your breath away.

Elevator Pitch:
Karys is a Deathspeaker. In exchange for the ability to peer through the Veneer to see magic and talk to the recently deceased, she has sold her soul to an eldritch abomination with three faces and a body made of wings. During a job that’s gone horribly wrong, she stumbles across Ferain, an ambassador from her country’s former occupiers, who was attacked while returning home. To save his life and make a massive amount of money, she anchors his soul to her shadow. Getting him out proves to be much more difficult than getting him in, however, and the Saints of the eldritch gods she serves have taken an interest in this man. Her journey forces her into contact with a variety of haunted landscapes, uncaring gods, and ruthless criminals.

Read if: you like eldritch beings who bend reality to their will, episodic horror/fantasy hybrids, you want to feel the weight of selling your soul

Avoid if: you want a quick moving plot or dynamic action scenes, agreeable protagonists, straightforward romantasy

Comparable Media: The City of Stairs, Spirited Away, Wizard of the Pigeons

The Devils

I shouldn’t have been surprised at how controversial Joe Abercrombie’s new release would be in parts of the fantasy fandom. The Devils is a departure from Abercrombie’s reputation as a character-focused writer interested in deconstructing classic fantasy tropes, and a popular author straying from their niche invariably invites criticism. At its core, this is a misfit adventure novel with a collection of villain archetypes as major players in an ensemble class. I thought the book was fun, a great audiobook to listen to at the gym, but probably not one that’s going to get recommended by me unless it’s a unique fit to someone’s requests. Had a great time with it though.

The Premise
Brother Diaz is a monk who thought he was destined for greatness when he was granted an audience with the Pope. Instead, he’s put in charge of a ratag group of prisoners to escort the long-lost princess of the Empire to take her throne. He’s got to wrangle a suave vampire, a bloodthirsty werewolf, an elf assassin, an egotistical necromancer, an immortal paladin, and a normal woman who has worked any job you could possibly imagine for at least a few weeks. Together, they must beat the odds – mostly just dead Empress’ four sons, all of whom want the princess dead – and complete their holy quest despite none of them wanting to be there (other than the paladin).

Read if Looking For: villain of the chapter, big personalities, extended fight scenes

Avoid if Looking For: a carbon copy of First Law, historical accuracy, a book impossible to call ‘safe’

Hungerstone

Queerness and vampirism go hand in hand throughout literature. While I’m not well versed in the classics, The Book Eaters and Heart of Stone both showcased how vampire stories can be gripping in both romantic and horror spheres. Hungerstone is essentially a take on Carmilla (which I haven’t read), with a special focus on the main character’s relationship with her own agency. I think fans of gothic horror will love it, and is a good option as a starter to the genre if you like stories with a more internal focus (whereas something like Mexican Gothic or A Botanical Daughter would be better starting points for more plot focused stories). However, its much less vampire-forward than I would have expected.

The Premise
Lenore is trapped in a listless life and a loveless marriage. An orphaned noble with no money to her name, she married Henry (a corrupt steel magnate) to find a life of security. Now she finds herself without any clear anchors in her life, struggling to figure out how she can salvage some happiness. As they move to the countryside, they pick up Carmilla on the road, a mysterious stranger who seems in desperate need of care. As Carmilla starts to open up Lenore’s eyes to just how dire her situation is, Lenore finds he growing attraction to their new guests matched only by the horror rising in her as she comes to terms with the reality of her life.

Read if You Like: melancholy, living in a character’s head, depictions of abusive relationships and the effects of patriarchal structures

Avoid if Looking For: plot focused stories, lead characters who drive the story, a heavy focus on classic elements of vampire stories

The Seven Moons of Maali Almeida

Sometimes, incredible books fall in your lap for no seeming reason (and by no seeming reason, I really mean Audible’s algorithim has learned that I like books about gay men). It’s certainly not my normal fare: I don’t read a ton of magical realism, and even less that pushes more on the literary end of things than the genre fiction side of that subgenre. Yet I’m so incredibly thankful I indulged the whim to dive into this book. It isn’t perfect, and likely won’t crack my favorite reads of the year, but it’s going to stick with me for a long time.

The Premise:
Maali is dead, stuck in a queue to find his way to the next life. He doesn’t know how he died, but he knows that he has unfinished business in the land of the living. He’s a war photographer in 1990 Sri Lanka, a gambler who loses more money than he makes, and a slut who has trouble remaining monogamous to the boyfriend he really does dearly love. He learns he has seven days before he is stuck forever in the in-between, and promptly sets off to try and get his partner and best friend to find his photographs, which have the power to topple a government.

Read if You Like: Magical Realism, ghosts, critiques of colonialism, dry humor

Avoid if You Dislike: tight plotting, morally upright characters, books lacking answers hard questions they bring attention to