Epistolary – Marked for Plot

Novella Readathon #16: Brimstone Slipstream

I underestimated Brimstone Slipstream, and for that I think I owe Matt Weber an apology. I looked at the cover of this novella and assumed it would be a high-octane dragon racing story; Nascar meets Fantasy. I would have enjoyed this of course, otherwise I wouldn’t have bought the book. Instead I got a delightful epistolary novel masquerading as a long-form news story, one whose political undertones are far more interesting and serious than my expectations. In fact, it looks like book 2 in the series, a full-length novel, is going to be more traditionally structured and plotted. Goodness knows I’ll find out before too long, because this kind of knocked my socks off. Finished the whole thing after driving for 5 hours, when I should have been asleep and bone tired. At ~50 pages, this is probably more a novelette than novella proper, and it is well worth the time. Plus, it works well as a standalone, not requiring sequels for the story here to feel like a complete product. Plus it only has five ratings on goodreads. Be a trendsetter! Dragon lovers unite!

The Premise:
Zaya and Kiriki are the rising stars of Brimstone Slipstream. Notably, their success hinges on a whip-smart ground crew and their mastery of psionics. Anyone can become empaths, but the skill comes more naturally to their ethnic group, who form the majority of the working class but almost never the financially stable. This report chronicles moments from their rise to fame and success, their support team which is akin to family, and the history of both the city and dragon racing.

Read If Looking For: narrative reporting, the brutal exhaustion of a culture without maternity leave, evocative infodumps, transparent portrayals of well-meaning people with biases

Avoid If Looking For: flashy dragon racing sequences, fully explained worldbuilding, books that follow the laws of physics

Novella Readathon #7: Autobiography of Red

Two weeks ago, if you asked me the novella I was most excited to read, I’d have responded Autobiography of Red. It’s got several ardent supporters whose taste I trust, it tackles an obscure figure from Greek mythology, a creature whom exists only for Herakles to kill, and it deals in thorny and tragic gay relationships. Unfortunately, what should have been catnip for me ended up as a frustrating reminder of why I tend to avoid Literature. While I’ve enjoyed several novellas with a more Literary bent (most recently On the Calculation of Volume), this one ended up feeling more like work than enjoyment. I do plan to eventually reread it, and I’m hopeful that I’ll get more out of it on a second look, because the bits I liked were really quite phenomenal.

The Premise:
While there are some introductory materials and extra bits, most of this story is the autobiography of Geryon: a boy and man in the mid-1900s who is red and has wings. This goes largely unremarked in the story. It traces his troubled childhood and teenage affair with Herakles, his listlessness in adult life, and a chance reunion with Herakles that is perhaps not everything Geryon wanted it to be. This is … a poor description, I will admit. I’m not sure how to give a better one though. Mostly it asks you to crawl inside Geyron’s head as he floats through different portions of his childhood and young adult life.

Read If Looking For: Literature with a capital L, tortured souls, photography motifs, blank verse, books that feel like Indie Films

Avoid If Looking For: straightforward narratives, clear happy endings, adventure and thrills, Romance beats

Novella Readathon #3: The Flesh of the Sea

The best book I read last year was How to Survive this Fairytale by SM Hallow. It was by a new indie publishing house, so I decided to pick up a few other of their titles. Unfortunately, Hedone Books has gone under, because I very much would have been interested in more of books they put out. Currently, you can only read The Flesh of the Sea via Audible; I was lucky enough to have purchased my physical copy before the publisher went under. This won’t be my favorite read of the year (or even this project), but it was very enjoyable. It’s a quick read – even in the context of novellas – and I think it would be a fairly good palette cleanser, especially when paired with other weird-nautical series like Tide child.

The Premise:
Wilford is a natural scientist who, after getting rejected by the Royal Society in London, ends up on a really weird pirate ship. He sends letters of his misadventures to a fellow naturalist, Jean Baptiste, whom he had been avoiding after a drunken kiss. On his travels, Wilford encounters all sorts of disturbing and disgusting creatures, befriends his crewmates, and generally tries to prove his worth to himself, Jean Baptiste, and the Society. Meanwhile, Jean Baptiste’s journal shows his life feels empty without Wilford in it, and he gets very upset about an overprotective pirate who has been making moves on Wilford.

Read If Looking For: weird travelogues, disaster academics, yearning and pining, epistolary novels, quirky pirate crews

Avoid If Looking For: intense horror and gore, bespoke prose, Romantasy

Comparable Media: Tide Child, Memoirs of Lady Trent, Someone to Build a Nest In

Novella Readathon #2: On the Calculation of Volume

I’m not a connoisseur of time travel stories, but On the Calculation of Volume is certainly unlike any other I’ve read, and I was impressed with how this story managed to be intense and restrained at the same time. The book isn’t going to be for everyone – a lot of genre fiction fans will bounce off this, I think – but for people who are interested in something more reflective, this is excellent.

The Premise:
Tara does not know why she has repeated the 18th of November a hundred times. There seems to be nothing remarkable about that day – the first one of course – or even the 17th of November. However, she finds herself in an endlessly looping day, with a husband who thinks she is on a trip to France for work. This is her journal, and Tara is not okay.

Read If You Like: psychologically intense stories, existential slice of life, clear and simple prose, literary science fiction

Avoid If You Dislike: books where ‘nothing happens’, inconsistent time travel mechanics, repetitive plot beats

Comparable Media: The Other Valley, Virginia Woolf’s writing, The Bone Harp

The Buffalo Hunter Hunter

As I continue exploring whether or not horror is the genre for me, Stephen Graham Jones has flitted in and out of my orbit. I had mixed feelings about Mapping the Interior, but Buffalo Hunter Hunter not only had glowing reviews, but also has one of my favorite covers of all time. There’s a lot to love here, but I found myself wishing it were a lot shorter than its actual length. Mixed feelings overall, but Stephen Graham Jones is definitely an author I want to read more of, because the parts of this book that worked really worked.

The Premise:
This is a story within a story within a story. A PHD student studies the journal of her great, great, great grandfather, hoping to convert its contents into a tenure track position (note: this gets the least screentime). Said man is a Lutheran priest in Montana in the 1900s who is visited by a mysterious Blackfoot stranger. This man tells his own life story over the course of several conversations. He is something akin to a vampire, telling the story of how he got his powers and how he began to use them. The tone shifts into something more and more sinister as the tale continues.

Read if: you like epistolary horror and framing narratives, enjoy framing narratives and/or epistolary formats, don’t care if the dog dies

Avoid if: you prefer books that get to the point right away, want traditional vampire representation, have an aversion to graphic depictions of violence – including historical events

Comparable Works: The Route of Ice and Salt, The Black Hunger, The Woods all Black

The Route of Ice and Salt

A Mexican horror novel following a ship captain of a ship transporting vampires, playing off elements of Dracula (which I haven’t read). It’s an excellent translation, and a dip into the more Literary side of horror than I normally go for. This was a good reminder of why I was a bad English major in college, and why genre fiction is my happy place over Literature. However, I’m glad I read this, and I think it’s much better at engaging with vampires’ historic associations with queerness in interesting ways than most other queer vampire books I’ve read.

The Premise
The captain of the Demeter has been hired to take fifty boxes of dirt to England. The captain spends the trip in a haze, torn between his constant desire for the companionship of men and his responsibilities as captain of the ship. And he dreams. Oh does he dream, and his dreams grow ever darker as strange things begin to take place on the Demeter, shifting what should have been an easy and profitable journey into a thing from nightmares.

Read if Looking For: intense focus on internal monologue, dream sequences, horror of the unseen, prose like liquid silk

Avoid if Looking For: direct plot or prose, ethical gays, paranormal romance elements, cute rats, protagonists who don’t sexually harass people, vampires with major speaking roles

Dear Mothman

Dear Mothman has been in my orbit for about a year now as one of the better middle grade novels to come out. It doesn’t quite fit comfortably in any genre. It’s certainly speculative (Mothman is very real) but it reads a lot like a realistic fiction book. It’s part Epistolary and part Book in Verse, but doesn’t really live in either space fully. However, it’s got a whole lot of heart, and is one of the better books I’ve seen where a character’s processing of grief is front and center. It’s the type of middle grade book that many adults would enjoy, even those who have a distaste for ‘kids books’.

The Premise
Noah is a lot of things, but mostly he’s grieving and finding himself. His best friend (and crush) Lewis died in a car crash, and Noah is unmoored. Everybody else calls him Nora, he doesn’t know how to make new friends, and school seems so unimportant. He latches onto Mothman, Lewis’s last obsession before his death, and begins writing the cryptid letters. To his surprise, Mothman seems to get those letters. This book follows Lewis’ 6th grade year as he struggles to form new social connections, find a self outside of Lewis, and prove to himself that Mothman is real after all.

Read if Looking For: emotional musings, a good cry, childhood taken seriously, the intersection of queer and neurodivergent identities

Avoid if Looking For: fight scenes, teen drama, dramatic plot twists

The Black Hunger

As part of pride month, I’ve been doing a lot of thinking and discussing about how avoiding problematic tropes can lead to more problematic tropes. Bury Your Gays (other than being a Chunk Tingle novel I very much want to read) is a classic example of authors, playwrights, and screenwriters killing off queer characters as a way of saying this person was bad and immoral sort of like how literally every Disney Villain dies due to their own character flaws. That trend is bad and problematic, but its backlash led to such predictable happy endings that I didn’t get the same beautiful tragedy and sadness in queer speculative fiction that I could find in cis/het works. Thankfully, I think this is being seen and rectified, mostly by queer authors themselves. I’m all for tragic gays making a comeback.

The Black Hunger is a great example of how bad endings for queer characters isn’t problematic on its own. It’s only bad when used as a way to demonize queer folks. And while I had some issues with the book, I had a great time with it as part of my continued exposure therapy to the horror genre after being traumatized by watching The Mummy when I was five (I still don’t like beetles to this day). Unfortunately, this book struggled in other areas, mostly related to depictions of Buddhism, which will rightly be a dealbreaker for many.

The Premise:
John Sackeville is dying from a mysterious curse eating away at him. His partner is dead, and something horrible has happened to the world. He’s being interrogated for key information about a strange cult (partially of a dark sect of cannibalistic Buddhists, mostly Russian), but he starts at the beginning and takes his time getting to the juicy bits, spending a good among of time on his childhood, his years at Oxford, and his time in the British service in India. Part of his story also involves diary entries of a Jewish psychologist visiting the home of his ex-love to diagnose her with madness, and a letter said ex-love’s dead husband wrote to her about his experiences as a prisoner in Russia to a particularly Spooky count and his family.

Read if Looking For: older gay male representation, evil cultists (and Russians), far too many teeth, slow burn gothic horror

Avoid if You Dislike: multiple narrators, Epistolary novels that don’t read like letters, authors taking liberties with real-world religions without getting it quite right