Favorites – Marked for Plot

Super Supportive – The SLOWEST of burns …

… and not in a romantic way, either. It’s just slowwwwww and an absolute fucking delight. This is one of the more popular Royal Road stories out there, and it has kept me grounded during the past two months of craziness! This is what I’m staying up at night reading. I dove back in as a distraction, rereading from the beginning, only to decide I was going to keep going … and going … and going. Now that I am caught up with this serial, here’s my sales pitch.

The Premise:
Alien wizards have made a contract with Earth: we give you superpowers in exchange for being able to summon (and generously pay) said superhumans for various services, including hunting demons, cooking a formal meal, or dressing up as a mythological figure and serving cocktails. Anyways, Alden thorn is a kid whose parents were killed by a supervillain. So when he’s chosen, he wants to be a support hero focused on preventing collateral damage.

Read if You Like: slow burns, intense platonic friendships, lovable characters, explorations of mental health, light Video Game elements

Avoid if You Dislike: a single day to span several dozen chapters, tonal shifts between intense existential dread and lighthearted action slice-of-life

The Language of Liars – Award-Worthy in all the Right Ways

This book has all of the elements that typically appeal to me: it’s a novella, engages with questions of linguistics and ethics, and it asks the reader to be uncomfortable. The Language of Liars blew me out of the water. The opening sections left me with the feeling that this would be a good book, worth reading and recommending, but it got better and better. Every chapter sucked me in a little bit more until I sat in bed, story finished, thinking about the ending and its implications. I was not super enthralled by the 2025 novella nominations from most major awards. The Language of Liars has the right blend of thematic ambition, accessible writing, and the backing of a traditional publisher that make it an excellent candidate, and I will be happily advocating for it to make some waves on the awards circuit this year. To anyone who likes their stories to shine a mirror on our world without being too obvious about it, this is for you. There’s enough here for me to happily teach this novella in my Genre Fiction elective, and I’m desperately hoping one of the book clubs I participate in picks it up, because there’s so much to talk about from the last few chapters.

Really, truly an excellent piece of writing. Plus, the book is short and straightforward enough that the content-to-time-investment ratio is one of the best I’ve read this year.

The Premise:
Ro is a talented linguist, hoping to be the first in generations of his species to jump into another’s body. He succeeds, possessing a Star Eater who, like all of their race, mine the cosmic space dust necessary for faster than light travel. He has been trained for this moment, hoping to gather the information and skills needed to save the slow death of the universe’s society, which depends on the service (exploitation?) of the enigmatic aliens.

Read if You Like: autism-coded characters, uncomfortable questions about how you (the reader) live life, musings on linguistics

Avoid if You Dislike: straightforward prose, lack of clear solutions to problems, monolithic intergalactic governments

Novella Readathon #18: The Iron Below Remembers

Every year there’s a book. A book that blows my mind and makes me want to scream from the rooftops how much I love it. Typically, this book is a little more niche, with choices that keep the story from appealing to the broad audience needed for breakout hits. I’ve championed Welcome to Forever by Nathan Tavares and How to Survive this Fairytale by SM Hallow, and now its time for me to tackle The Iron Below Remembers. This book examines how history gets layered and built, revels in queer sexuality, and uses a superhero framework to focus on the intensely personal. Characterization is consistent and exciting, and our characters aren’t stand-ins for the reader’s hopes and dreams. It’s kind of a perfect mix for me, though there are a few elements that I think will put off the general reader. Certainly it’s a strong contender for book of the year (the only current competition is The God Eaters by Jessee Hajicek). I’m mostly just disappointed I didn’t pick it up sooner.

Elevator Pitch:
Professor Yadav’s specialty is ancient history, specifically the Karthik Empire, a South Asian colonizing force whose lasting impact is comparable to our world’s British Empire. His boyfriend is Ezra/Savior, a beloved superhero with golden retriever energy. When one of Savior’s battles uncovers a pristine artifact of sorcery – whose use and knowledge has been lost to time – Yadav’s connections see him as one of the primary researchers studying it. As his academic star rises, relationship dynamics shift. Woven through their journey are Yadav’s academic musings on the Karthik Empire.

Read If You Like: superhero settings from the perspective of a normie, fictional academia, relationships as something requiring work and investment

Avoid If You Dislike: abundant talk about sex (but very little actual sex happening), anecdotes that don’t connect with the main plot, footnotes, superhero settings without many superhero plot beats

The God Eaters – Soul Crushingly Good

Sometimes, a book hits you like a ton of bricks. They help you redefine your taste, shift the types of stories you pick moving forward, and relentlessly find their way into your recommendations to other readers. Over time, I’ve noticed that my version of these books tend to have rigorous character development, a strong narrative voice, and something to say that goes beyond ‘kill the villain’. The God Eaters is one of those books. Like most of the stories that rip my heart out of my chest, I don’t think it will be for everyone: This novel has too much romance for the typical Fantasy fan, and it trades the tropey goodness Romance enthusiasts crave for a more serious examination of trauma, colonialism, and survival, and most Western fans don’t want to read about two dudes kissing. For me, those elements add up to lightning in a bottle.

Will it be my book of the year? I hope not, only because I would love to read other books that hypnotize me like this one does. It’s definitely a frontrunner though

The Premise:
In a religious theocracy, a pair of remarkable men end up as cellmates in a prison for the magically talented. Kieran is a bandit fighting back against the country who killed his people, forced him into sexual slavery, and addicted him to opium. Ash and his Aunt published rebellious propaganda. The bandit can kill those he hates with a thought, and the writer has a minor empathic gift he uses to avoid trouble. Their journey involves ancient gods, prison breaks, treks across vast deserts, and a lot of agonizingly slow negotiation of their feelings towards each other. They mostly just want to live their lives free from the shadow of religious tyranny. However, the White Watch is relentless and the god who rules them even more so.

Read If You Like: Fantasy Westerns, introspection, anti-colonialist Fantasy from decades ago, awe-inspiring storms, thematically rigorous Romance

Avoid If You Dislike: yearning and pining, underexplained magic, tonal shifts in the third act, ‘he could never like me’

Comparable Media: Heart of Stone, Aristotle and Dante Discover the Secrets of the Universe, The Fall of Kings

The Spear Cuts Through Water – Epic Fantasy told Three Ways

Words are not enough to describe how nervous I was to suggest my in-person book club read The Spear Cuts Through Water. Was it everything I remembered, or are my memories clouded by the pink haze of nostalgia? Would my friends like it as much as I did? Was the brutality and violence of the book excessive? Would I still think about this as my favorite book of all time? That’s a lot of pressure to put on a book, and expectations are the mother of all disappointment.

Thankfully, it absolutely stood up to the book of my memories. I think I liked it more this time around, and I certainly noticed things that I had missed in my first readthrough. The jury is still out on whether or not my friends will love it like I do. My only regrets are starting this book a little too close to our book club meeting – it’s tomorrow! – which coincided with a bout of brain frog that left Jimenez’s gorgeous pose a bit more difficult than I was equipped to handle after a long day of work. However, I consider it the best book I’ve ever read, and it represents the direction that I wish epic fantasy would start to explore.

The Premise:
In the inverted theater, the child of Moon and Water performs for you a story of your people’s history. You’d heard this story before. It is the one your Lola told you and that you told your brothers in turn. It follows Keema and Jun, one an outcast with one arm and the other a monster of a man searching for a path towards redemption. They escort the Moon in her desperate bid to escape the empire freeing her from 8 generations of servitude and the people from 8 generations of tyranny. This is a tender story of the journey of two boys, a chronicle of the death of an empire, an exploration of guilt and shame and violence, and it is a story about how our past ripples into our future.

Read If Looking For: a simple story transformed by its format, an ode to the oral history of Fantasy, standalone epic fantasy, a very wise tortoise

Avoid If Looking For: straightforward storytelling, books free from graphic violence or sexual assault, rapid pacing

Comparable Media: Spear (by Nicola Griffith), Hyperion, Princess Mononoke

The Memory of the Ogisi – A Haunting Conclusion to the Forever Desert

I’ve been chewing on the Forever Desert Trilogy since 2023. Books that are interested in the art of storytelling are candy for me, and this trilogy takes a different approach than most. I actually use the first book in the Speculative Fiction course I teach to high schoolers. This series benefits from gaps between each book in the series: the way Utomi plays with history in this trilogy works best when your memory of the past book is a little bit fuzzy. I liked the first two books in this series a lot, but this book is by far my favorite of the three. It’s pretty bleak, and probably not for everyone, but it really worked for me.

For reviews of the first two books in this series, see The Lies of the Ajungo and The Truth of the Aleke

The Premise
In this iteration of the Forever Desert, a minor historian departs from The City of a Thousand Stories in search of the famed Tomb of Osi. His journey brings him into contact with historians from other cities in search of other cities. What he finds causes him to rethink his society’s role in the world, and what he brings back sparks the change that will bring The Forever Desert into its next generation of oppression, control, and violence.

Read if: you’re looking for a blend of folkloric storytelling and epic fantasy, you’re interested in darkly thematic explorations of truth, power, and history

Avoid if: you dislike books that lack hope,you want worldbuilding to feel consistent and explainable

Comparable Titles: 1984, A Conspiracy of Truths, The Giver Quartet

Asunder – An Episodic Eldritch Fantasy

I think I’ve taken Asunder off my TBR about three times as I try to keep it at manageable levels. Invariably, I see a review that piques my interest enough for it to go back onto the pile. If I’m honest, the cover art put me off. It’s unfair, I know (don’t judge a book by its cover and all that), but Asunder’s cover is as beautiful as it is misleading. When I opened the pages, I assumed I’d be walking into a well-written romance with a teenage year old lead. Instead I walked through the dreams of dead gods as a 29 year old woman scrabbles to retain her personhood in the face of uncaring worlds. It will make you feel small and wonder and disgust and hopeless. If you’re willing to give it the space to breathe, it will take your breath away.

Elevator Pitch:
Karys is a Deathspeaker. In exchange for the ability to peer through the Veneer to see magic and talk to the recently deceased, she has sold her soul to an eldritch abomination with three faces and a body made of wings. During a job that’s gone horribly wrong, she stumbles across Ferain, an ambassador from her country’s former occupiers, who was attacked while returning home. To save his life and make a massive amount of money, she anchors his soul to her shadow. Getting him out proves to be much more difficult than getting him in, however, and the Saints of the eldritch gods she serves have taken an interest in this man. Her journey forces her into contact with a variety of haunted landscapes, uncaring gods, and ruthless criminals.

Read if: you like eldritch beings who bend reality to their will, episodic horror/fantasy hybrids, you want to feel the weight of selling your soul

Avoid if: you want a quick moving plot or dynamic action scenes, agreeable protagonists, straightforward romantasy

Comparable Media: The City of Stairs, Spirited Away, Wizard of the Pigeons

Tongues

It has taken me much longer to write this review than is normal. It’s tough to figure out how to talk about this book, or why I enjoyed it so much. I found this to be a bit like trying to point out a bird in the forest. The problem lay not with getting a friend to find the bird on the tree, but rather trying to get them looking at the right tree in the first place. Too zoomed in on specifics and a review loses any sense of cohesion, but too zoomed out and you have nothing interesting to say. There’s a lot to say about Tongues. Even when I end up disliking the choices an author makes in stories like this, I appreciate the gradual blurring of lines between Literary Fiction and Genre Fantasy. Thankfully though, I ended up liking Tongues a lot.

The Premise
This is a book that takes a bunch of elements from Greek myth (or, our cultural ideas about Greek Myth smashed into something eldritch and ancient) and fast-forwards the see how they’re interacting with the modern world. Prometheus befriends the Eagle who eats his liver each day. A teenager with a teddy bear on his back wanders through the war-torn landscape of Afghanistan. A girl is tasked by eldritch creatures to kill a god. A mysterious cult is gaining prominence in the region.

Read if Looking For:
– something weird
-something disturbing
– something baroque

Avoid if Looking For:
– something quick
-something sweet
– something simple

The Divine Cities Trilogy

Robert Jackson Bennett is currently getting laude for his Shadow of the Leviathan series (which are quite good on the whole). However, I think his Divine Cities Trilogy is by far the superior work, even if it’s taken me about four years to read the entire thing (I wrote in my review of book 2 that the finale would be ‘a priority for 2024’ yet I’m only getting around to it in 2026). These books are unlike anything I’ve read. The prose is straightforward enough, Bennett’s thematic work is ambitious and so very different from the examinations of imperialism we see in the 2020s, including his current series. It’s the type of mind bending and ambitious fantasy I love to read, and it safely sits as some of my favorite books in the genre.

Read if Looking For: spycraft/action hybrids, competent protagonists, weird gods, thorny questions without easy answers

Avoid if Looking For: direct sequels, purely happy endings, John le Carre style bureaucracy spycraft, straightforward morality

Eight Billion Genies

Wish fulfillment (and how it can go horribly wrong) has been a mainstay in storytelling for a long, long time. I, like many of my generation, remember reading and analyzing The Monkey’s Paw in high school English class. In recent years, I haven’t found myself drawn towards stories featuring wishes, as I haven’t seen new ground being broken on a thoroughly explored idea. Eight Billion Genies changed that. Charles Soule and Ryan Browne created something really special with this one, and at 275 comic book pages, it’s a quick read.

The Premise:
When the population of earth reaches Eight Billion People, every human gets their own genie, each able to grant a single wish. Chaos immediately ensues, and the apocalypse is here, complete with cheese monsters and a moon that enjoys eating people. The Lampwick Bar owner wishes for his bar to be a safe haven free from the influence of wishes, leaving those inside (visitors from China, a father and son in grief, and a rock band in desperate need of rehearsal time) able to find a safer way forward. The story spends most of its time on the immediate aftermath of this even, followed by 8-10 years after the event, followed by 800 years after the event.

Read if Looking for: ensemble casts, stories spanning centuries, mischievous (but not evil) genies, whimsical art

Avoid if Looking for: morality lessons, stringent wish fulfillment adherence, innovative villains, genies with any relevance to their mythological origins