Superhero – Marked for Plot

Novella Readathon #18: The Iron Below Remembers

Every year there’s a book. A book that blows my mind and makes me want to scream from the rooftops how much I love it. Typically, this book is a little more niche, with choices that keep the story from appealing to the broad audience needed for breakout hits. I’ve championed Welcome to Forever by Nathan Tavares and How to Survive this Fairytale by SM Hallow, and now its time for me to tackle The Iron Below Remembers. This book examines how history gets layered and built, revels in queer sexuality, and uses a superhero framework to focus on the intensely personal. Characterization is consistent and exciting, and our characters aren’t stand-ins for the reader’s hopes and dreams. It’s kind of a perfect mix for me, though there are a few elements that I think will put off the general reader. Certainly it’s a strong contender for book of the year (the only current competition is The God Eaters by Jessee Hajicek). I’m mostly just disappointed I didn’t pick it up sooner.

Elevator Pitch:
Professor Yadav’s specialty is ancient history, specifically the Karthik Empire, a South Asian colonizing force whose lasting impact is comparable to our world’s British Empire. His boyfriend is Ezra/Savior, a beloved superhero with golden retriever energy. When one of Savior’s battles uncovers a pristine artifact of sorcery – whose use and knowledge has been lost to time – Yadav’s connections see him as one of the primary researchers studying it. As his academic star rises, relationship dynamics shift. Woven through their journey are Yadav’s academic musings on the Karthik Empire.

Read If You Like: superhero settings from the perspective of a normie, fictional academia, relationships as something requiring work and investment

Avoid If You Dislike: abundant talk about sex (but very little actual sex happening), anecdotes that don’t connect with the main plot, footnotes, superhero settings without many superhero plot beats

Barbalien: Red Planet – An Optimistic Story set in a Tragic Past

It’s unsurprising that the AIDS epidemic has been notably absent from Fantasy and Science fiction novels. There are lots of reasons for this: many read for escapism, the 80s/90s isn’t a common time period for fantasy or science fiction in general, and AIDS doesn’t fit neatly into the cute love story narrative that traditional publishers have historically leaned on when writing books about gay men. Things are improving – traditionally published trans protagonists exist, though they’re still rare – and there are a few novels that have tackled the idea (though I couldn’t bring myself to keep reading the train wreck that was Disco Witches of Fire Island). I live in hope, but my hopes aren’t very high.

Comics have actually done a much better job of engaging with the topic, though not always well. I got to teach a few lessons on the representation of AIDS in superhero comics a few years ago, and I’m hoping I’ll have the chance to expand it into a full unit soon. Barbalien was part of that journey, and a great example of how mainstream comics have evolved on the issue over 30 years. Barbalien is set in the The World of Black Hammer, a superheroverse more or less analogous to DC or Marvel. You really don’t need any previous context for the story, so don’t feel like you need to jump in ‘at the start’ if you aren’t interested in the cute and satirical set of villain interviews that form the universe’s first installment. Barbalien is a more serious story, but not so bleak as to suffer accusations of torture porn.

Finally, it’s important to note that while Jeff Lemire seems to be listed as the main author, the story is a collaboration between him and Tate Brombal. The actual script (dialogue, panel by panel story descriptions, etc) is all Brombal, an openly gay comic writer.

The Premise
Mark Markz is from Mars. When masquerading as a human, he works as a cop trying to do good. When openly martian, he fights crime as Barbalien. When both personas are needed at an AIDS protest, Mark comes into contact with Miguel, a young activist whose partner recently died of AIDS. As they fall in love, Mark grapples with his growing realization of how the system he works for is a force of oppression, finds connections in the queer underground, and is hunted by a rival from Mars.

Read If Looking For: queer joy, queer pain, and queer love

Avoid If Looking For: sympathetic cops, cinematic fight scenes, fleshed out supporting characters

Striker V: Elements of Change

This was meant to be a book I read when I was on the treadmill, taking a break from curriculum writing, or when I couldn’t fall asleep. The type of story it didn’t matter much if I drifted in and out of. I was reading it on my cell phone, not even a damned e-reader. Striker V gripped me in the early chapters and didn’t let me go for a good long while. This novel examines Superheroes from a more person-first perspective than the standard, caring just as much about how humans would react to the constant violence of superhero activity as the fights themselves. It didn’t quite stick the landing, and I have some issues with the resolution of the story. However, it did things I haven’t seen much in superhero stories, and those bits felt just as interesting as The Watchmen.

Elevator Pitch:
Striker is the fifth superhero with his name. He’s got seven years until retirement and two years until he reaches his heroic lineage’s average age of death (none have survived to retire). He’s got big muscles, a massive healing factor, and some touch-based mind syncing. He’s been worn down by the constant pain of his existence, the fear that no matter what he does his bones will be ground to dust over and over while the public excitedly waits for him to fall from a skyscraper one more time so that Subway will give away free promotional sandwiches. The shifts have been longer recently with increased villain activity, and the book opens with him in a desperate battle against his best friend in the world, who has just now gone rogue.

Read if Looking For: mental health struggles, governmental bureaucracy (and sometimes humor), dystopian superheroes, happy endings

Avoid if Looking For: nuanced climaxes to nuanced conflicts, creative superhero powers, villains that make sense, tonal consistency