Horror – Marked for Plot

The Route of Ice and Salt

A Mexican horror novel following a ship captain of a ship transporting vampires, playing off elements of Dracula (which I haven’t read). It’s an excellent translation, and a dip into the more Literary side of horror than I normally go for. This was a good reminder of why I was a bad English major in college, and why genre fiction is my happy place over Literature. However, I’m glad I read this, and I think it’s much better at engaging with vampires’ historic associations with queerness in interesting ways than most other queer vampire books I’ve read.

Read if Looking For: intense focus on internal monologue, dream sequences, horror of the unseen, prose like liquid silk

Avoid if Looking For: direct plot or prose, ethical gays, paranormal romance elements, cute rats, protagonists who don’t sexually harass people, vampires with major speaking roles

But Not Too Bold

Novellas have become one of my go-to library checkouts. With my limited budget, dropping $15 on a book that will take me a single evening to consume is a tough choice to make. However, I love the length and format, and I find that authors tend to be much more focused on what makes their work special in novellas. But Not Too Bold is an excellent example of that trend, and it put Cabaret in Flames (Hache Pueyo’s upcoming release) on my radar.

Read if you Like: translated books, fast-paced horror, creepy spider monsters, tidy endings, descriptions of opulent mansions

Avoid if You Dislike: human/monster love stories, depictions of spiders, characters without self-preservation instincts, fairy tale ‘retellings’ far from the source material

Several People are Typing

Put simply, this book is a shot of adrenaline. I want to give a big shout out to u/diazeugma for recommending one of my new favorites during the r/fantasy pride month event in June. It took me a while to pull the trigger on this workplace comedy/horror book about a man stuck in the Slack chat of his workplace, a PR firm. When I did, I consumed the book in around 4 hours. At 250 pages, this reads a lot more like a novella because of how sparse the pages are. It’s not a book without flaws, but this book contains a level of joy few authors are able to capture.

Read if You Like: The Office meets Twilight Zone, comedy from the absurd, the distillation of existential dread, captivating characters, train wrecks in slow motion

Avoid if You Dislike: not getting physical descriptions of characters, mysteries that never get explained, strong romance plotlines

Hungerstone

Queerness and vampirism go hand in hand throughout literature. While I’m not well versed in the classics, The Book Eaters and Heart of Stone both showcased how vampire stories can be gripping in both romantic and horror spheres. Hungerstone is essentially a take on Carmilla (which I haven’t read), with a special focus on the main character’s relationship with her own agency. I think fans of gothic horror will love it, and is a good option as a starter to the genre if you like stories with a more internal focus (whereas something like Mexican Gothic or A Botanical Daughter would be better starting points for more plot focused stories). However, its much less vampire-forward than I would have expected.

Read if You Like: melancholy, living in a character’s head, depictions of abusive relationships and the effects of patriarchal structures

Avoid if Looking For: plot focused stories, lead characters who drive the story, a heavy focus on classic elements of vampire stories

Mister B. Gone

I’ve known the name of Clive Barker for a while now. Hellraiser is influential enough that even someone who absolutely despises horror movies knows its basic imagery. He’s an author lauded as a pioneering queer writer and an author I had no intention of touching with a 10 foot pole. Mister B. Gone was recommended to me by a friend who swore it was their favorite book of all time though, and so I took the plunge into this dark comedy. It wasn’t a perfect book, but the writing was engrossing enough that I’m curious to try some of his books that are more widely lauded.

Read if You Like: Fourth-wall breaking, morally bankrupt (but likeable) protagonists, humorous asides, demons and angels

Avoid if You Dislike: books without a strong A-Plot, engrossing climaxes, straightforwardly gay characters

The Black Hunger

As part of pride month, I’ve been doing a lot of thinking and discussing about how avoiding problematic tropes can lead to more problematic tropes. Bury Your Gays (other than being a Chunk Tingle novel I very much want to read) is a classic example of authors, playwrights, and screenwriters killing off queer characters as a way of saying this person was bad and immoral sort of like how literally every Disney Villain dies due to their own character flaws. That trend is bad and problematic, but its backlash led to such predictable happy endings that I didn’t get the same beautiful tragedy and sadness in queer speculative fiction that I could find in cis/het works. Thankfully, I think this is being seen and rectified, mostly by queer authors themselves. I’m all for tragic gays making a comeback.

The Black Hunger is a great example of how bad endings for queer characters isn’t problematic on its own. It’s only bad when used as a way to demonize queer folks. And while I had some issues with the book, I had a great time with it as part of my continued exposure therapy to the horror genre after being traumatized by watching The Mummy when I was five (I still don’t like beetles to this day). Unfortunately, this book struggled in other areas, mostly related to depictions of Buddhism, which will rightly be a dealbreaker for many.

Read if Looking For: older gay male representation, evil cultists (and Russians), far too many teeth, slow burn gothic horror

Avoid if You Dislike: multiple narrators, Epistolary novels that don’t read like letters, authors taking liberties with real-world religions without getting it quite right

Don’t Let the Forest In

Despite being a middle/high school English teacher, I don’t actually read much Middle Grade or Young Adult works these days. Sometimes I’ll preview a book for class, but rarely for personal pleasure. Oddly, the vast majority of YA that I read is horror, despite it not really being my favorite genre (it’s growing on me, I promise!). I picked up Don’t Let the Forest In in as some first steps to introduce more aro/ace representation into my reading diet. Overall, I thought this was a good book, and one that I’m glad I read. While I think some elements will frustrate readers who primarily pursue adult books, I think it’s got enough good things going on to be worth recommending to a broad variety of people.

Read if You Like: unreliable narrators, endings that stick the landing, impactful twists, creepy forest monsters

Avoid if You Dislike: archetypical side characters/set dressing, romantic tension derived lack of effective communication, slow pacing

Small Gods of Calamity

This seems to be the week of book club reviews for me. I’m very happy to be a regular participant in r/fantasy’s Beyond Binaries Book Club, which focuses on queer speculative fiction. This month brings us to a supernatural police procedural story. It wasn’t quite as dynamic a story as I would have liked, but I really enjoyed the lead character, setting, and magic. If you want to check out the mid-way discussion of book club, check it out here!

Read if You Like: loner cops, creepy possession spirits, immersive magic

Avoid if Looking For: thrills and chills, resolutions to all loose threads, critiques of criminal justice systems

Dudes Rock: A Celebration of Queer Masculinity in Speculative Fiction

I try to read a few anthologies each year, but it had been a while since I read one that wasn’t the collected works of a single author. Dudes Rock seemed promising, and I think the short story format has plenty of space to explore masculinity in bite sized chunks. I’d say that this was a pretty mixed bag in terms of anthologies. Some real bangers, but also a decent amount that I had little to no response to. But the stories that hit got me very interested in those authors’ other works.

Read if Looking For: short story collection featuring magic dildos, himbo cults, haunted houses, fairytale princes, and stories in the form of badly written job application essays

Avoid if Looking For: consistency in depths of theme and experimentation across stories

I’ll review each story in a bite sized chunk below (in publication order), but I want to flag my standout favorites of this collection were Rosa Cocdesin by Aubrey Shaw (gothic), The Depths of Friendship by Candy Tan (cheeky and fun) and Cigarette Smoke from the Fires of Hell by Jay Kang Romanus (intense characterization). In general, I thought the middle portion was stronger than the start or end of the collection.

Compound Fracture

Andrew Joseph White is an author who has done a great job of pushing the YA space in the last few years. Hell Follows With Us was good, but The Spirit Bares Its Teeth is a real masterpiece of a historical fiction horror. He has a habit of breaking away from the typical prose stylings and plot progression that has begun to feel very repetitive in modern YA Fantasy, feeling more akin to something we’d have seen in the early 2000s content wise, but with a lot more representation and modern sensibilities.

Compound Fracture is much more realistic than White’s other works (barely any speculative elements at all) and is heavily inspired by his own life and family. You’ll find most of his trademark elements (body horror, trans & autistic lead, religious queerphobia), and generally speaking if you like his other books you’ll enjoy Compound Fracture. In the end, I found this the weakest of White’s novels so far, but still very much enjoyed it.

Read if Looking For: gruesome descriptions of wounds, Appalachian culture, realistic queerphobia descriptions

Avoid if Looking For: lots of fantasy/supernatural elements, nuanced villains