After trying to hype How to Survive This Fairytale everywhere I could, I got recommended the Fables comics as another take on a dark fairy-tale mashup story. Sort of like if the TV show Once Upon a Time had been produced by HBO instead of Disney, which I think is a pretty good comparison point. This review covers the first three volumes ( Legends in Exile, Animal Farm, and Storybook Love). I’ll definitely be reading more of this, but I didn’t love it so much that I’m putting the rest of my backlog on hold to keep pursuing it.
Read if Looking For: fairy tales with blood, gore, and sex; morally dubious characters, traditional American Comic Book Art with modern storytelling sensibilities
Avoid if Looking For: thematic depth, emotional art styles, niche or non-European fairy tale references (so far)
This is a book that’s been sitting on my ‘priority read’ bookshelf for about three years now. New Weird is a genre I’d been interested in, and Miéville’s reputation as an author who is concerned with his books as political objects pushing against the autoritarian status quo of fantasy really appeals to me. However, I’m finding that extremely large books put me off more than they used to, and I kept pushing it off until I was in the right mood. I left the book with mixed feelings. In some parts I felt in awe of what Miéville was accomplishing, and elsewhere I was disappointed in the choices he made to the point where I considered stepping away for a week or two. I have the feeling that I’ll be thinking about this book for a while, as it seems the type of story to sit with you.
Read if You Like: unhinged worldbuilding, examinations of power and culture, eldritch horrors, characters without happy endings, books to chew on
Avoid if Looking For: fast paced stories, consistent female characterization, happy and mindless books
I’ve known the name of Clive Barker for a while now. Hellraiser is influential enough that even someone who absolutely despises horror movies knows its basic imagery. He’s an author lauded as a pioneering queer writer and an author I had no intention of touching with a 10 foot pole. Mister B. Gone was recommended to me by a friend who swore it was their favorite book of all time though, and so I took the plunge into this dark comedy. It wasn’t a perfect book, but the writing was engrossing enough that I’m curious to try some of his books that are more widely lauded.
Read if You Like: Fourth-wall breaking, morally bankrupt (but likeable) protagonists, humorous asides, demons and angels
Avoid if You Dislike: books without a strong A-Plot, engrossing climaxes, straightforwardly gay characters
Sometimes, incredible books fall in your lap for no seeming reason (and by no seeming reason, I really mean Audible’s algorithim has learned that I like books about gay men). It’s certainly not my normal fare: I don’t read a ton of magical realism, and even less that pushes more on the literary end of things than the genre fiction side of that subgenre. Yet I’m so incredibly thankful I indulged the whim to dive into this book. It isn’t perfect, and likely won’t crack my favorite reads of the year, but it’s going to stick with me for a long time.
Read if You Like: Magical Realism, ghosts, critiques of colonialism, dry humor
Avoid if You Dislike: tight plotting, morally upright characters, books lacking answers hard questions they bring attention to
As part of pride month, I’ve been doing a lot of thinking and discussing about how avoiding problematic tropes can lead to more problematic tropes. Bury Your Gays (other than being a Chunk Tingle novel I very much want to read) is a classic example of authors, playwrights, and screenwriters killing off queer characters as a way of saying this person was bad and immoral sort of like how literally every Disney Villain dies due to their own character flaws. That trend is bad and problematic, but its backlash led to such predictable happy endings that I didn’t get the same beautiful tragedy and sadness in queer speculative fiction that I could find in cis/het works. Thankfully, I think this is being seen and rectified, mostly by queer authors themselves. I’m all for tragic gays making a comeback.
The Black Hunger is a great example of how bad endings for queer characters isn’t problematic on its own. It’s only bad when used as a way to demonize queer folks. And while I had some issues with the book, I had a great time with it as part of my continued exposure therapy to the horror genre after being traumatized by watching The Mummy when I was five (I still don’t like beetles to this day). Unfortunately, this book struggled in other areas, mostly related to depictions of Buddhism, which will rightly be a dealbreaker for many.
Read if Looking For: older gay male representation, evil cultists (and Russians), far too many teeth, slow burn gothic horror
Avoid if You Dislike: multiple narrators, Epistolary novels that don’t read like letters, authors taking liberties with real-world religions without getting it quite right
Despite being a middle/high school English teacher, I don’t actually read much Middle Grade or Young Adult works these days. Sometimes I’ll preview a book for class, but rarely for personal pleasure. Oddly, the vast majority of YA that I read is horror, despite it not really being my favorite genre (it’s growing on me, I promise!). I picked up Don’t Let the Forest In in as some first steps to introduce more aro/ace representation into my reading diet. Overall, I thought this was a good book, and one that I’m glad I read. While I think some elements will frustrate readers who primarily pursue adult books, I think it’s got enough good things going on to be worth recommending to a broad variety of people.
Read if You Like: unreliable narrators, endings that stick the landing, impactful twists, creepy forest monsters
Avoid if You Dislike: archetypical side characters/set dressing, romantic tension derived lack of effective communication, slow pacing
I’m a sucker for Fairy Tale mashups. I grew up loving Into the Woods, I binged Once Upon a Time in college. Retellings are wonderful too, but there’s something special about taking the idea of storytelling, throwing a bunch in a blender, and seeing what new comes out of it. How to Survive This Fairytale made me laugh, made me cry, and made me cry some more. I’m usually not a super emotional person, but this book got to me in a really profound way. Hallow has a fantastic debut novel, and I can’t wait to see what she writes next. This is definitely on my shortlist for book of the year.
Read if You Enjoy: Fairy tale mashups, characters processing trauma, romance subplots, aggressively paced books
Avoid if you Dislike: 2nd person narration, tidy endings, protagonists not always being the center of the story, books without fight scenes
This seems to be the week of book club reviews for me. I’m very happy to be a regular participant in r/fantasy’s Beyond Binaries Book Club, which focuses on queer speculative fiction. This month brings us to a supernatural police procedural story. It wasn’t quite as dynamic a story as I would have liked, but I really enjoyed the lead character, setting, and magic. If you want to check out the mid-way discussion of book club, check it out here!
Read if You Like: loner cops, creepy possession spirits, immersive magic
Avoid if Looking For:thrills and chills, resolutions to all loose threads, critiques of criminal justice systems
Silver in the Wood has been sitting on my bookshelf for a long time. Too long, to be honest. It has a sterling (and I think, well earned) reputation as an excellent novella featuring a gay lead, can be read in 1-2 sittings, and has immaculate vibes. It’s not a perfect book, but it was incredibly satisfying for the length of time I spent with it. Also, some of the best cover art I’ve seen in a good long while.
Short Fiction Anthologies are the types of books that I add to my TBR list, but never seem to get around to. I say I want to read more short fiction, say I want to try out some magazines, but never commit the time to it. Spirits Abroad is a first step in trying to make progress on that front and, while it definitely isn’t the best anthology I’ve read, provided several enjoyable reads, including one that I’ll be using in the high school genre fiction class I teach!
Read If Looking For: Urban Fantasy or Magical Realism short fiction, tight focus on Malaysian communities around the world, simple and straightforward language, feminist themes
Avoid if Looking For: writing that experiments with style or structure
Marked for Plot 