Sometimes, incredible books fall in your lap for no seeming reason (and by no seeming reason, I really mean Audible’s algorithim has learned that I like books about gay men). It’s certainly not my normal fare: I don’t read a ton of magical realism, and even less that pushes more on the literary end of things than the genre fiction side of that subgenre. Yet I’m so incredibly thankful I indulged the whim to dive into this book. It isn’t perfect, and likely won’t crack my favorite reads of the year, but it’s going to stick with me for a long time.
Read if You Like: Magical Realism, ghosts, critiques of colonialism, dry humor
Avoid if You Dislike: tight plotting, morally upright characters, books lacking answers hard questions they bring attention to
As part of pride month, I’ve been doing a lot of thinking and discussing about how avoiding problematic tropes can lead to more problematic tropes. Bury Your Gays (other than being a Chunk Tingle novel I very much want to read) is a classic example of authors, playwrights, and screenwriters killing off queer characters as a way of saying this person was bad and immoral sort of like how literally every Disney Villain dies due to their own character flaws. That trend is bad and problematic, but its backlash led to such predictable happy endings that I didn’t get the same beautiful tragedy and sadness in queer speculative fiction that I could find in cis/het works. Thankfully, I think this is being seen and rectified, mostly by queer authors themselves. I’m all for tragic gays making a comeback.
The Black Hunger is a great example of how bad endings for queer characters isn’t problematic on its own. It’s only bad when used as a way to demonize queer folks. And while I had some issues with the book, I had a great time with it as part of my continued exposure therapy to the horror genre after being traumatized by watching The Mummy when I was five (I still don’t like beetles to this day). Unfortunately, this book struggled in other areas, mostly related to depictions of Buddhism, which will rightly be a dealbreaker for many.
Read if Looking For: older gay male representation, evil cultists (and Russians), far too many teeth, slow burn gothic horror
Avoid if You Dislike: multiple narrators, Epistolary novels that don’t read like letters, authors taking liberties with real-world religions without getting it quite right
Despite being a middle/high school English teacher, I don’t actually read much Middle Grade or Young Adult works these days. Sometimes I’ll preview a book for class, but rarely for personal pleasure. Oddly, the vast majority of YA that I read is horror, despite it not really being my favorite genre (it’s growing on me, I promise!). I picked up Don’t Let the Forest In in as some first steps to introduce more aro/ace representation into my reading diet. Overall, I thought this was a good book, and one that I’m glad I read. While I think some elements will frustrate readers who primarily pursue adult books, I think it’s got enough good things going on to be worth recommending to a broad variety of people.
Read if You Like: unreliable narrators, endings that stick the landing, impactful twists, creepy forest monsters
Avoid if You Dislike: archetypical side characters/set dressing, romantic tension derived lack of effective communication, slow pacing
I’m a sucker for Fairy Tale mashups. I grew up loving Into the Woods, I binged Once Upon a Time in college. Retellings are wonderful too, but there’s something special about taking the idea of storytelling, throwing a bunch in a blender, and seeing what new comes out of it. How to Survive This Fairytale made me laugh, made me cry, and made me cry some more. I’m usually not a super emotional person, but this book got to me in a really profound way. Hallow has a fantastic debut novel, and I can’t wait to see what she writes next. This is definitely on my shortlist for book of the year.
Read if You Enjoy: Fairy tale mashups, characters processing trauma, romance subplots, aggressively paced books
Avoid if you Dislike: 2nd person narration, tidy endings, protagonists not always being the center of the story, books without fight scenes
This seems to be the week of book club reviews for me. I’m very happy to be a regular participant in r/fantasy’s Beyond Binaries Book Club, which focuses on queer speculative fiction. This month brings us to a supernatural police procedural story. It wasn’t quite as dynamic a story as I would have liked, but I really enjoyed the lead character, setting, and magic. If you want to check out the mid-way discussion of book club, check it out here!
Read if You Like: loner cops, creepy possession spirits, immersive magic
Avoid if Looking For:thrills and chills, resolutions to all loose threads, critiques of criminal justice systems
Silver in the Wood has been sitting on my bookshelf for a long time. Too long, to be honest. It has a sterling (and I think, well earned) reputation as an excellent novella featuring a gay lead, can be read in 1-2 sittings, and has immaculate vibes. It’s not a perfect book, but it was incredibly satisfying for the length of time I spent with it. Also, some of the best cover art I’ve seen in a good long while.
Short Fiction Anthologies are the types of books that I add to my TBR list, but never seem to get around to. I say I want to read more short fiction, say I want to try out some magazines, but never commit the time to it. Spirits Abroad is a first step in trying to make progress on that front and, while it definitely isn’t the best anthology I’ve read, provided several enjoyable reads, including one that I’ll be using in the high school genre fiction class I teach!
Read If Looking For: Urban Fantasy or Magical Realism short fiction, tight focus on Malaysian communities around the world, simple and straightforward language, feminist themes
Avoid if Looking For: writing that experiments with style or structure
Andrew Joseph White is an author who has done a great job of pushing the YA space in the last few years. Hell Follows With Us was good, but The Spirit Bares Its Teeth is a real masterpiece of a historical fiction horror. He has a habit of breaking away from the typical prose stylings and plot progression that has begun to feel very repetitive in modern YA Fantasy, feeling more akin to something we’d have seen in the early 2000s content wise, but with a lot more representation and modern sensibilities.
Compound Fracture is much more realistic than White’s other works (barely any speculative elements at all) and is heavily inspired by his own life and family. You’ll find most of his trademark elements (body horror, trans & autistic lead, religious queerphobia), and generally speaking if you like his other books you’ll enjoy Compound Fracture. In the end, I found this the weakest of White’s novels so far, but still very much enjoyed it.
Read if Looking For: gruesome descriptions of wounds, Appalachian culture, realistic queerphobia descriptions
Avoid if Looking For: lots of fantasy/supernatural elements, nuanced villains
The Bone Swans of Amandale has been one of my favorite novellas for a while, and I’d been meaning to read the full collection it was included in at some point. I finally got around to it, and while I don’t think any of the stories quite captured the genius of Bone Swans, there were a few other gems in here. Expect dark fairy tale vibes to run through the series of stories as a motif, and generally high writing craft quality.
Split Tooth is not a novel I should have enjoyed. Despite being an English major in college, Literature with a capital L has always rubbed me the wrong way. Even the more experimental Fantasy stuff I love tends to have strong roots in genre fiction tropes, like The Spear Cuts Through Water. Split Tooth was none of what I typically love, but I found that it became my first five star read of 2025.
Read if Looking For: books that blend poetry and prose, sparse magical realism stories, books with sharp edges, indigenous voices
Avoid if Looking For: traditional fantasy plot structures, easy reading
Marked for Plot 