Dark – Page 5 – Marked for Plot

Blood over Bright Haven

As one of the few self-published fantasy books to get picked up for a traditionally published reprint, I had high expectations for Blood Over Bright Haven. Its Dark Academia and anti-capitalist themes made me even more excited. It met most of my expectations, and despite wishing it were more avant-garde, I’m happy that I finally got around to this book! Definitely pushes Wang’s other work up on my list. This is a great option for anyone looking to dip their toes into the more political side of genre fiction, as it’s easy to read into parallels with our world. For those already experienced in that type of writing, this won’t blow your mind, but it’s an enjoyable (if standard) entry in that subgenre.

The Premise:
Sciona lives in a city of power and wonder. Protected from the blight that kills indiscriminately outside its magic walls, she seeks to rise past the stereotypes held against women become the first Female High Mage. She knew that sexism would be rampant, but when she’s assigned a janitor for a lab assistant instead of a trained mage, she takes it as a personal challenge. Thomil is a Kwen, one of the tribesmen who live in the Blightlands, and who made the terrible journey to the city; a journey which took all his family except for his (then toddler) niece. Together, they discover the dark secrets of academia, and threaten the very fabric the city rests on.

Read if Looking For: stories about racism and sexism, dark academia, conversations about ethics, light romance elements, engaging narrative voice

Avoid if Looking For: unknowable magic, unproblematic characters, books without sexual assault, surprising twists

Two who Live On (Branches of Past and Future #2)

Sequel review here! If you want to learn more about a fun, but perhaps not terribly deep, urban fantasy about a teacher of magic at a high school, see my review of Three Meant to Be. I was a little unsure of where I sat with Book 1. I enjoyed it certainly, but found it wasn’t quite giving me the depth or grittiness I was looking for in an adult magic school story, nor the sense of mystery from magic schools of my childhood, nor even the epic fight scenes of progression fantasy schools. About 50 pages into this book though, I shifted my brain fully into popcorn romance urban fantasy mode, and it really clicked. This series isn’t cracking my all time favorites, but I’m having a really wonderful time.

The Premise:
This book picks up right where book 1 left off. At the start of second semester, without the threat of one student being brutally murdered, Dorian is able to focus a bit more on himself and his relationship with his celebrity boyfriend (and childhood ex) Milo. He also needs to keep his students on track for a talent showcase, which might open doors for many of their future prospects. Of course, what would a semester of Dorian’s life be without the threat of constant demon attacks?

Read if Looking for: Magic School Teacher protagonist, escapist fantasy, bad puns, romance/fantasy elements balanced well

Avoid if Looking for: deep themes, unpredictable twists, realistic portrayals of teaching

Hungerstone

Queerness and vampirism go hand in hand throughout literature. While I’m not well versed in the classics, The Book Eaters and Heart of Stone both showcased how vampire stories can be gripping in both romantic and horror spheres. Hungerstone is essentially a take on Carmilla (which I haven’t read), with a special focus on the main character’s relationship with her own agency. I think fans of gothic horror will love it, and is a good option as a starter to the genre if you like stories with a more internal focus (whereas something like Mexican Gothic or A Botanical Daughter would be better starting points for more plot focused stories). However, its much less vampire-forward than I would have expected.

The Premise
Lenore is trapped in a listless life and a loveless marriage. An orphaned noble with no money to her name, she married Henry (a corrupt steel magnate) to find a life of security. Now she finds herself without any clear anchors in her life, struggling to figure out how she can salvage some happiness. As they move to the countryside, they pick up Carmilla on the road, a mysterious stranger who seems in desperate need of care. As Carmilla starts to open up Lenore’s eyes to just how dire her situation is, Lenore finds he growing attraction to their new guests matched only by the horror rising in her as she comes to terms with the reality of her life.

Read if You Like: melancholy, living in a character’s head, depictions of abusive relationships and the effects of patriarchal structures

Avoid if Looking For: plot focused stories, lead characters who drive the story, a heavy focus on classic elements of vampire stories

Regicide: Saints of Firnus

Every once in a while a book recommendation passes beneath your nose that captures your attention. Regicide was that way. It started with a compelling cover, a blurb that promised grimdark fantasy elements, and a lack of clear romance plotline. It lived up to some of those promises and had some legitimately interesting developments, but was undercut by a dire need for another readthrough and round of proofing and edits.

The Premise:
This is the story of Holt, a member of the ‘vermin’ beastkin whose lands were colonized by the Panthera. He now lives as a beggar, supported only by his partner, whose untimely death pushes Holt. towards new connections with the underground resistance and old traditions of his people. However, this is Holt’s story told after he’s become an infamous legend. An elder shares the ‘real’ story of Holt to others of his kind. They live underground, still firmly under the paw of the Pantheran government, meaning you know from the very beginning that the ending of the story wouldn’t be a happy one.

Read if Looking for: Redwall for adults, morally upright protagonists in dystopian worlds, author-created illustrations, characters who happen to be gay

Avoid if You are Looking for: polished prose, multi-POV stories, deep themes or nuance, romance, books without depictions of intense racism, lots of magic

Fables: Volumes 1-3

After trying to hype How to Survive This Fairytale everywhere I could, I got recommended the Fables comics as another take on a dark fairy-tale mashup story. Sort of like if the TV show Once Upon a Time had been produced by HBO instead of Disney, which I think is a pretty good comparison point. This review covers the first three volumes ( Legends in Exile, Animal Farm, and Storybook Love). I’ll definitely be reading more of this, but I didn’t love it so much that I’m putting the rest of my backlog on hold to keep pursuing it.

Read if Looking For: fairy tales with blood, gore, and sex; morally dubious characters, traditional American Comic Book Art with modern storytelling sensibilities

Avoid if Looking For: thematic depth, emotional art styles, niche or non-European fairy tale references (so far)

Perdido Street Station

This is a book that’s been sitting on my ‘priority read’ bookshelf for about three years now. New Weird is a genre I’d been interested in, and Miéville’s reputation as an author who is concerned with his books as political objects pushing against the autoritarian status quo of fantasy really appeals to me. However, I’m finding that extremely large books put me off more than they used to, and I kept pushing it off until I was in the right mood. I left the book with mixed feelings. In some parts I felt in awe of what Miéville was accomplishing, and elsewhere I was disappointed in the choices he made to the point where I considered stepping away for a week or two. I have the feeling that I’ll be thinking about this book for a while, as it seems the type of story to sit with you.

The Premise
New Crobuzon is a dirty, grimy city. It’s filled with trash, corruption, and enough police brutality to make Vladmir Putin proud. It’s also home to humans, cactus-people, women with scarabs for heads, avian humanoids, literal demons, hands that can posess people, a whole caste with intensive plastic surgery forcibly grafting on mechanic or animal parts onto their bodies, among other things. This story mostly follows a dating couple: Isaac (a scientist) and Lin (an artist). Isaac gets recruited by a bird man without wings to get him to fly again, and Lin is recruited by a crime boss to create a masterpiece sculpture. Events spiral out of control, bizarrely leading to eldritch abominations let loose across the sprawling metropolis.

Read if You Like: unhinged worldbuilding, examinations of power and culture, eldritch horrors, characters without happy endings, books to chew on

Avoid if Looking For: fast paced stories, consistent female characterization, happy and mindless books

Mister B. Gone

I’ve known the name of Clive Barker for a while now. Hellraiser is influential enough that even someone who absolutely despises horror movies knows its basic imagery. He’s an author lauded as a pioneering queer writer and an author I had no intention of touching with a 10 foot pole. Mister B. Gone was recommended to me by a friend who swore it was their favorite book of all time though, and so I took the plunge into this dark comedy. It wasn’t a perfect book, but the writing was engrossing enough that I’m curious to try some of his books that are more widely lauded.

The Premise:
Jakabob Botch is a demon. A rather incompetent and pathetic demon really, who can’t even work magic properly. And he’s trapped inside a book, the book you’re reading incidentally. Throughout his recounting of his life’s story on Earth, he besseeches you to burn the book in your hands, to end his pitiful existence trapped in ink and paper. But fine, why not, he’ll tell you a little bit more, but only if you promise that you really will destroy the book by the end of it all.

Read if You Like: Fourth-wall breaking, morally bankrupt (but likeable) protagonists, humorous asides, demons and angels

Avoid if You Dislike: books without a strong A-Plot, engrossing climaxes, straightforwardly gay characters

The Seven Moons of Maali Almeida

Sometimes, incredible books fall in your lap for no seeming reason (and by no seeming reason, I really mean Audible’s algorithim has learned that I like books about gay men). It’s certainly not my normal fare: I don’t read a ton of magical realism, and even less that pushes more on the literary end of things than the genre fiction side of that subgenre. Yet I’m so incredibly thankful I indulged the whim to dive into this book. It isn’t perfect, and likely won’t crack my favorite reads of the year, but it’s going to stick with me for a long time.

The Premise:
Maali is dead, stuck in a queue to find his way to the next life. He doesn’t know how he died, but he knows that he has unfinished business in the land of the living. He’s a war photographer in 1990 Sri Lanka, a gambler who loses more money than he makes, and a slut who has trouble remaining monogamous to the boyfriend he really does dearly love. He learns he has seven days before he is stuck forever in the in-between, and promptly sets off to try and get his partner and best friend to find his photographs, which have the power to topple a government.

Read if You Like: Magical Realism, ghosts, critiques of colonialism, dry humor

Avoid if You Dislike: tight plotting, morally upright characters, books lacking answers hard questions they bring attention to

The Black Hunger

As part of pride month, I’ve been doing a lot of thinking and discussing about how avoiding problematic tropes can lead to more problematic tropes. Bury Your Gays (other than being a Chunk Tingle novel I very much want to read) is a classic example of authors, playwrights, and screenwriters killing off queer characters as a way of saying this person was bad and immoral sort of like how literally every Disney Villain dies due to their own character flaws. That trend is bad and problematic, but its backlash led to such predictable happy endings that I didn’t get the same beautiful tragedy and sadness in queer speculative fiction that I could find in cis/het works. Thankfully, I think this is being seen and rectified, mostly by queer authors themselves. I’m all for tragic gays making a comeback.

The Black Hunger is a great example of how bad endings for queer characters isn’t problematic on its own. It’s only bad when used as a way to demonize queer folks. And while I had some issues with the book, I had a great time with it as part of my continued exposure therapy to the horror genre after being traumatized by watching The Mummy when I was five (I still don’t like beetles to this day). Unfortunately, this book struggled in other areas, mostly related to depictions of Buddhism, which will rightly be a dealbreaker for many.

The Premise:
John Sackeville is dying from a mysterious curse eating away at him. His partner is dead, and something horrible has happened to the world. He’s being interrogated for key information about a strange cult (partially of a dark sect of cannibalistic Buddhists, mostly Russian), but he starts at the beginning and takes his time getting to the juicy bits, spending a good among of time on his childhood, his years at Oxford, and his time in the British service in India. Part of his story also involves diary entries of a Jewish psychologist visiting the home of his ex-love to diagnose her with madness, and a letter said ex-love’s dead husband wrote to her about his experiences as a prisoner in Russia to a particularly Spooky count and his family.

Read if Looking For: older gay male representation, evil cultists (and Russians), far too many teeth, slow burn gothic horror

Avoid if You Dislike: multiple narrators, Epistolary novels that don’t read like letters, authors taking liberties with real-world religions without getting it quite right

Don’t Let the Forest In

Despite being a middle/high school English teacher, I don’t actually read much Middle Grade or Young Adult works these days. Sometimes I’ll preview a book for class, but rarely for personal pleasure. Oddly, the vast majority of YA that I read is horror, despite it not really being my favorite genre (it’s growing on me, I promise!). I picked up Don’t Let the Forest In in as some first steps to introduce more aro/ace representation into my reading diet. Overall, I thought this was a good book, and one that I’m glad I read. While I think some elements will frustrate readers who primarily pursue adult books, I think it’s got enough good things going on to be worth recommending to a broad variety of people.

The Premise
Andrew and his twin sister Dove attend a prestigious and remote boarding school, courtesy of a rich (and largely absent) father. Dove is a straight-A student, but Andrew is listless, reserved, and anxious. The only thing keeping him afloat (other than Dove making sure he doesn’t fail any classes) is his best friend/roommate/crush Thomas. Thomas is wild and abrasive, the visual artist to Andrew’s creative writing. But Thomas’s parents are missing, presumed dead, and Thomas is a prime culprit. Things between them aren’t the same as they used to be, and that’s before Andrew realizes that creatures from the forest are trying to attack the school every night.

Read if You Like: unreliable narrators, endings that stick the landing, impactful twists, creepy forest monsters

Avoid if You Dislike: archetypical side characters/set dressing, romantic tension derived lack of effective communication, slow pacing