Historical Fantasy – Marked for Plot

Make me No Grave

A book in post Civil War Kansas with flesh witches and other weird shit? Sign me up! I’m the child of a Kansas historian, and don’t think I’ve ever really read a speculative fiction book set in my home state. I left for a reason and never want to live there again, but it also holds a very special place in my heart. This book didn’t quite scratch that historical itch, though, and now I want to read more stuff set in Kansas.

Read if Looking For: headstrong characters, straightforward writing, shootouts

Avoid if Looking For: Weird West that’s heavy on the Weird, thematically rich texts, diverse protagonists

Shirewode

December this year has, apparently, been the month of mildly disappointing sequels. If you’d like to see my review of book 1 in this take on gay Robin Hood, see Greenwode. It lost a lot of the things that made it interesting, rehashed old ground, and didn’t succeed in raising the stakes of book 1 in a satisfying way. Just frustrating all-around. I think it’s a good recommendation for people who want fantasy gay yearning, but I needed the series to move past that.

You would think from this cover art that archery and action were going to be at least a little more prominent in this book? Too bad! Think again!

If you loved and wanted more of the ‘enemies by fate and religion’ vibes in book 1, you may like this one a lot more than I did. It remains the focal point of the series.

Dark Rise

For me, C.S. Pacat has been a relatively no-brainer author for me. Their works are rarely perfect, but have consistently captivated me. Some are ruthless and full of content warning-worthy topics (Captive Prince), and others are overdramatic sports comics about a bunch of queer teens in a fencing club. Dark Rise seemed like a natural book that I’d love. However, I found it extraordinarily lacking compared to Pacat’s other works, and I struggled a lot with this one.

Read if Looking For: books with stereotypical emo haircuts, evil vs good as a core motif, YA that flirts with BDSM subtext, YA fantasy tropes of the 2020s

Avoid if Looking for: books that do more than set up a sequel, female viewpoint characters who have the same main character energy as the males, well-adjusted romance plotlines

The Devils

I shouldn’t have been surprised at how controversial Joe Abercrombie’s new release would be in parts of the fantasy fandom. The Devils is a departure from Abercrombie’s reputation as a character-focused writer interested in deconstructing classic fantasy tropes, and a popular author straying from their niche invariably invites criticism. At its core, this is a misfit adventure novel with a collection of villain archetypes as major players in an ensemble class. I thought the book was fun, a great audiobook to listen to at the gym, but probably not one that’s going to get recommended by me unless it’s a unique fit to someone’s requests. Had a great time with it though.

Read if Looking For: villain of the chapter, big personalities, extended fight scenes

Avoid if Looking For: a carbon copy of First Law, historical accuracy, a book impossible to call ‘safe’

The Route of Ice and Salt

A Mexican horror novel following a ship captain of a ship transporting vampires, playing off elements of Dracula (which I haven’t read). It’s an excellent translation, and a dip into the more Literary side of horror than I normally go for. This was a good reminder of why I was a bad English major in college, and why genre fiction is my happy place over Literature. However, I’m glad I read this, and I think it’s much better at engaging with vampires’ historic associations with queerness in interesting ways than most other queer vampire books I’ve read.

Read if Looking For: intense focus on internal monologue, dream sequences, horror of the unseen, prose like liquid silk

Avoid if Looking For: direct plot or prose, ethical gays, paranormal romance elements, cute rats, protagonists who don’t sexually harass people, vampires with major speaking roles

Hungerstone

Queerness and vampirism go hand in hand throughout literature. While I’m not well versed in the classics, The Book Eaters and Heart of Stone both showcased how vampire stories can be gripping in both romantic and horror spheres. Hungerstone is essentially a take on Carmilla (which I haven’t read), with a special focus on the main character’s relationship with her own agency. I think fans of gothic horror will love it, and is a good option as a starter to the genre if you like stories with a more internal focus (whereas something like Mexican Gothic or A Botanical Daughter would be better starting points for more plot focused stories). However, its much less vampire-forward than I would have expected.

Read if You Like: melancholy, living in a character’s head, depictions of abusive relationships and the effects of patriarchal structures

Avoid if Looking For: plot focused stories, lead characters who drive the story, a heavy focus on classic elements of vampire stories

Mister B. Gone

I’ve known the name of Clive Barker for a while now. Hellraiser is influential enough that even someone who absolutely despises horror movies knows its basic imagery. He’s an author lauded as a pioneering queer writer and an author I had no intention of touching with a 10 foot pole. Mister B. Gone was recommended to me by a friend who swore it was their favorite book of all time though, and so I took the plunge into this dark comedy. It wasn’t a perfect book, but the writing was engrossing enough that I’m curious to try some of his books that are more widely lauded.

Read if You Like: Fourth-wall breaking, morally bankrupt (but likeable) protagonists, humorous asides, demons and angels

Avoid if You Dislike: books without a strong A-Plot, engrossing climaxes, straightforwardly gay characters

Abbott (and Sequels)

Despite teaching a few different classes on graphic novels/comics to middle and high schoolers, I don’t actually read that many for fun these days – and almost never ones geared towards adults. In an effort to start changing that, I decided to pitch a graphic novel theme when I was asked to guest host r/QueerSFF’s July Book Club. Out of the nominees I selected, Abbott was far and away the winner, and I think it will lead to some great discussion! Books 1/2 left me with some frustrations (book 2 especially), but the final volume really blew me away and was an excellent ending. While I’m discussing my thoughts about the series as a whole, I won’t reference any specific spoilers for any of the books.

Additionally, I’ll include some images of the art at the bottom of this post for people who want to see some examples of non-cover art, which will become standard practice should I continue to review more sequential art.

Read if Looking For: nuanced depictions of sexism and racism, a historical Detroit setting, gruesome and evocative art, noir vibes

Avoid if Looking For: Dynamic fight scenes, properly-paced plots, innovative villains

Greenwode

Robin Hood is not a story that I’m particularly fond of. I don’t dislike it, but the story doesn’t have a place in my heart – even as childhood nostalgia. Being a take on Robin Hood, I wasn’t sure if Greenwode was going to be a good fit for me, but thankfully it avoided being a campy retelling. Instead, this was a delightful story of romance, internalized homophobia, and the politics of rural England. It’s rare for me to want to pick up a sequel quickly, but I definitely want to tackle the next installment this year.

Read if Looking For: star crossed lovers, characters grappling with religion, beautiful forest scenes, romantic yearning, ancient gods

Avoid if Looking For: lots of dramatic archery sequences, books with few sex scenes, positive depictions of Christianity

The Black Hunger

As part of pride month, I’ve been doing a lot of thinking and discussing about how avoiding problematic tropes can lead to more problematic tropes. Bury Your Gays (other than being a Chunk Tingle novel I very much want to read) is a classic example of authors, playwrights, and screenwriters killing off queer characters as a way of saying this person was bad and immoral sort of like how literally every Disney Villain dies due to their own character flaws. That trend is bad and problematic, but its backlash led to such predictable happy endings that I didn’t get the same beautiful tragedy and sadness in queer speculative fiction that I could find in cis/het works. Thankfully, I think this is being seen and rectified, mostly by queer authors themselves. I’m all for tragic gays making a comeback.

The Black Hunger is a great example of how bad endings for queer characters isn’t problematic on its own. It’s only bad when used as a way to demonize queer folks. And while I had some issues with the book, I had a great time with it as part of my continued exposure therapy to the horror genre after being traumatized by watching The Mummy when I was five (I still don’t like beetles to this day). Unfortunately, this book struggled in other areas, mostly related to depictions of Buddhism, which will rightly be a dealbreaker for many.

Read if Looking For: older gay male representation, evil cultists (and Russians), far too many teeth, slow burn gothic horror

Avoid if You Dislike: multiple narrators, Epistolary novels that don’t read like letters, authors taking liberties with real-world religions without getting it quite right