Nathan Tavares has more or less cemented himself as an instabuy author for me, and Disco at the End of the World continues placing him near the top of my favorite author’s list. The early reviews for Disco had me hesitant: several readers I trust DNFd, and a 3.5 rating on Goodreads typically indicates that a book has some fairly major flaws. Like with most of Tavares work, I think my love for it is going to be higher than most people’s. He speaks to my soul in a way that few authors do. This book has some significant rough patches, but it also filled a void that I’ve been searching for: speculative fiction that seriously engages with historical underground queer spaces in America. If that isn’t something that immediately gets you excited though, there probably isn’t enough here for me to recommend it to the average reader.

The Premise:
Mitch is a member of the Spaceguard, which has replaced Nasa in this version of the Cold War with more of a military emphasis than exploratory. He works on the moon base, where he’s known as a queer who doesn’t get a hard time only because he also smuggles contraband in for everybody else. He gets reported for morality breaches and is sent back to Earth, where he and his fellow servicewoman Gloria (not that most soldiers used that name for her) helped open an underground Disco outside Hollywood. Strange things are happening to Mitch however, and he ends up being a contact point for Aliens who are threatening to destroy Earth, unless he, Gloria, and his new family can bougie hard enough to change history.
Read If You Like: portrayals of underground gay culture, alternate space-race history, queer acid trips, disco ball spaceships
Avoid If You Dislike: characters facing homophobia, long stretches without speculative elements, the power of LOVE, intense tonal shifts
Comparable Media: Welcome to Forever, Exit Stage Left: Snagglepuss Chronicles, Disco Witches of Fire Island
Continue reading “The Disco at the End of the World – Too Much Boogie!”







