As part of pride month, I’ve been doing a lot of thinking and discussing about how avoiding problematic tropes can lead to more problematic tropes. Bury Your Gays (other than being a Chunk Tingle novel I very much want to read) is a classic example of authors, playwrights, and screenwriters killing off queer characters as a way of saying this person was bad and immoral sort of like how literally every Disney Villain dies due to their own character flaws. That trend is bad and problematic, but its backlash led to such predictable happy endings that I didn’t get the same beautiful tragedy and sadness in queer speculative fiction that I could find in cis/het works. Thankfully, I think this is being seen and rectified, mostly by queer authors themselves. I’m all for tragic gays making a comeback.
The Black Hunger is a great example of how bad endings for queer characters isn’t problematic on its own. It’s only bad when used as a way to demonize queer folks. And while I had some issues with the book, I had a great time with it as part of my continued exposure therapy to the horror genre after being traumatized by watching The Mummy when I was five (I still don’t like beetles to this day). Unfortunately, this book struggled in other areas, mostly related to depictions of Buddhism, which will rightly be a dealbreaker for many.

The Premise:
John Sackeville is dying from a mysterious curse eating away at him. His partner is dead, and something horrible has happened to the world. He’s being interrogated for key information about a strange cult (partially of a dark sect of cannibalistic Buddhists, mostly Russian), but he starts at the beginning and takes his time getting to the juicy bits, spending a good among of time on his childhood, his years at Oxford, and his time in the British service in India. Part of his story also involves diary entries of a Jewish psychologist visiting the home of his ex-love to diagnose her with madness, and a letter said ex-love’s dead husband wrote to her about his experiences as a prisoner in Russia to a particularly Spooky count and his family.
Read if Looking For: older gay male representation, evil cultists (and Russians), far too many teeth, slow burn gothic horror
Avoid if You Dislike: multiple narrators, Epistolary novels that don’t read like letters, authors taking liberties with real-world religions without getting it quite right








