The City of Spires has been on my radar for a while as a great example of what ambitious queer representation can look like. It’s also gotten nods as the modern inheritor to Swordspoint, the seminal Fantasy of Manners book with pioneering queer rep in the 80s. I ended up not loving the book, but I see the appeal and am intrigued to continue at some point in the future. But if you’re looking for a queer ensemble cast, I can’t think of something better than this.

The Premise
Isandor is a city with class problems. The rich live (quite literally) above everyone, in towers connected by bridges, holding them above the world. The poor are at the whims of the games of the noble houses. And the city plays host to an embassy of an Empire intent on conquering the world. Many different characters lives intersect in this book, connecting apprentice mages with shelter owners with idealistic nobility. Each character’s agendas and concerns are different, but this book lights the match that will set the city ablaze (quite literally). There’s enough going on that focusing on any single plotline will do a disservice to describing what the book is about.
Read if Looking For: many queer identities in one book, ethically upright protagonists, sadistic villains, impassioned monologues
Avoid if Looking For: deep characterization, flashy magic, political maneuvering








