Hungerstone

Queerness and vampirism go hand in hand throughout literature. While I’m not well versed in the classics, The Book Eaters and Heart of Stone both showcased how vampire stories can be gripping in both romantic and horror spheres. Hungerstone is essentially a take on Carmilla (which I haven’t read), with a special focus on the main character’s relationship with her own agency. I think fans of gothic horror will love it, and is a good option as a starter to the genre if you like stories with a more internal focus (whereas something like Mexican Gothic or A Botanical Daughter would be better starting points for more plot focused stories). However, its much less vampire-forward than I would have expected.

Read if You Like: melancholy, living in a character’s head, depictions of abusive relationships and the effects of patriarchal structures

Avoid if Looking For: plot focused stories, lead characters who drive the story, a heavy focus on classic elements of vampire stories

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Regicide: Saints of Firnus

Every once in a while a book recommendation passes beneath your nose that captures your attention. Regicide was that way. It started with a compelling cover, a blurb that promised grimdark fantasy elements, and a lack of clear romance plotline. It lived up to some of those promises and had some legitimately interesting developments, but was undercut by a dire need for another readthrough and round of proofing and edits.

Read if Looking for: Redwall for adults, morally upright protagonists in dystopian worlds, author-created illustrations, characters who happen to be gay

Avoid if You are Looking for: polished prose, multi-POV stories, deep themes or nuance, romance, books without depictions of intense racism, lots of magic

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House of the Rain King

I love a book with intricate worldbuilding, complex magic systems, and dynamic action scenes. However, I also love books that capture the mystery and magic of ancient religion, forgotten gods, and backwoods settings. House of the Rain King is plainly written, but doesn’t neatly slot into the storytelling styles of the current fantasy market. Its a great example of how indie and self publishing fills niches that mainstream books leave open.

Read if Looking For: ancient magic, cruel gods, books that evoke Princess Mononoke, protagonists that happen to be queer

Avoid if Looking For: endings that clearly resolve all conflicts, compelling action scenes, mercenary companies that feel like mercenaries

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The Incandescent

The Incandescent has established itself as one of the more popular Fantasy novels of 2025, at least in the corners of the internet I frequent. I knew I’d get around to reading it eventually; as a teacher protagonist, I love seeing magic schools turned on their head, and it doesn’t happen often! This book is a great choice for anyone remotely interested in the premise, and feels like a fairly safe pick for people looking for an introduction to modern Urban Fantasy. If you want demons, snarky kids, (possibly) competent adults doing adult things, then look no further!

Read if Looking For: teacher protagonists, chatty demons, unreliable(ish) narrators, plucky kids, and adult take on Jonathan Stroud’s Bartimaeus Trilogy

Avoid if Looking For: Dark Academia, challenging themes, romance-forward books, flashy magic

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Fables: Volumes 1-3

After trying to hype How to Survive This Fairytale everywhere I could, I got recommended the Fables comics as another take on a dark fairy-tale mashup story. Sort of like if the TV show Once Upon a Time had been produced by HBO instead of Disney, which I think is a pretty good comparison point. This review covers the first three volumes ( Legends in Exile, Animal Farm, and Storybook Love). I’ll definitely be reading more of this, but I didn’t love it so much that I’m putting the rest of my backlog on hold to keep pursuing it.

Read if Looking For: fairy tales with blood, gore, and sex; morally dubious characters, traditional American Comic Book Art with modern storytelling sensibilities

Avoid if Looking For: thematic depth, emotional art styles, niche or non-European fairy tale references (so far)

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Perdido Street Station

This is a book that’s been sitting on my ‘priority read’ bookshelf for about three years now. New Weird is a genre I’d been interested in, and Miéville’s reputation as an author who is concerned with his books as political objects pushing against the autoritarian status quo of fantasy really appeals to me. However, I’m finding that extremely large books put me off more than they used to, and I kept pushing it off until I was in the right mood. I left the book with mixed feelings. In some parts I felt in awe of what Miéville was accomplishing, and elsewhere I was disappointed in the choices he made to the point where I considered stepping away for a week or two. I have the feeling that I’ll be thinking about this book for a while, as it seems the type of story to sit with you.

Read if You Like: unhinged worldbuilding, examinations of power and culture, eldritch horrors, characters without happy endings, books to chew on

Avoid if Looking For: fast paced stories, consistent female characterization, happy and mindless books

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Mister B. Gone

I’ve known the name of Clive Barker for a while now. Hellraiser is influential enough that even someone who absolutely despises horror movies knows its basic imagery. He’s an author lauded as a pioneering queer writer and an author I had no intention of touching with a 10 foot pole. Mister B. Gone was recommended to me by a friend who swore it was their favorite book of all time though, and so I took the plunge into this dark comedy. It wasn’t a perfect book, but the writing was engrossing enough that I’m curious to try some of his books that are more widely lauded.

Read if You Like: Fourth-wall breaking, morally bankrupt (but likeable) protagonists, humorous asides, demons and angels

Avoid if You Dislike: books without a strong A-Plot, engrossing climaxes, straightforwardly gay characters

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Sunrise on the Reaping (Hunger Games 0.5)

The Hunger Games was part of my high school experience. I’m part of the generation that grew up with Harry Potter, reaching high school right as YA as a genre was beginning to coalesce into something more than a target audience, instead a grouping of stylistic decisions that led to a rather depressing homogeny. Hunger Games has stood the test of time, and for good reason I think. It’s one of the best of the era, and is a phenomenal book to use in a 7th grade Dystopian book club unit, especially when paired with data on mental health and suicidiality of those who go on reality television programs for our enjoyment. I didn’t pick up the other prequel, as Snow never interested me much as a character. When kids started raving about this though, I figured Haymitch intriguing enough for me to return.

Read if You Like: Hunger Games content, bits of District 12 Lore, Books you know the end of

Avoid if Looking For: the adreneline of the original series, a ‘normal’ hunger games, exploring new thematic depth in the series

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The Seven Moons of Maali Almeida

Sometimes, incredible books fall in your lap for no seeming reason (and by no seeming reason, I really mean Audible’s algorithim has learned that I like books about gay men). It’s certainly not my normal fare: I don’t read a ton of magical realism, and even less that pushes more on the literary end of things than the genre fiction side of that subgenre. Yet I’m so incredibly thankful I indulged the whim to dive into this book. It isn’t perfect, and likely won’t crack my favorite reads of the year, but it’s going to stick with me for a long time.

Read if You Like: Magical Realism, ghosts, critiques of colonialism, dry humor

Avoid if You Dislike: tight plotting, morally upright characters, books lacking answers hard questions they bring attention to

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Luck in the Shadows

The Nightrunner series is probably the single most recommended gay epic fantasy book, and was absolutely the type of story I wish I’d been able to find as a teenager. I knew going in that I was probably going to have some issues wht the eventual romantic pairing between the two leads, and have been frequently assured that the mentor/student dynamic isn’t a problem since they don’t get romantically entangled until later. Unfortunately, even though nothing concrete has happened yet, there’s already issues. I’m only one book into the series, and can already tell you that this is going to be a fantastic epic fantasy with, like so many older fantasy works, problematic elements that should be acknowledged instead of brushed aside.

Read if you Like: 90s epic fantasy tropes, spy protagonists, down to earth wizards, a brewing war

Avoid if you Dislike: age gap or mentor/student romances, over-the-top evil villains, quick pacing

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