I was so excited when I saw that Wolf of Withervale was a finalist for the Self Published Fantasy Blog Off! I left that book feeling a lot of joy at finding an old-school epic fantasy that leaned into queer identities and culture. It had its flaws (which largely continue in book 2) but I’m really enjoying this doorstopper series filled with ancient artifacts, massive armies, and a lot of gigantic animals. I was disappointed, but perhaps not surprised, at the lukewarm response it got compared to other finalists, and thrilled that this series is getting more eyes on it . This review won’t avoid spoilers for book 1, and you can see my review for that book here.

The Premise:
This book starts with Withervale burning. Lago & Company need to escape with two armies hunting them and start finding other mask users to help them chart their course. This book takes them to a few domes, but the majority of the time is spent in the dome of felines, which gets the most cultural worldbuilding of anywhere so far. This book will also asnwer some key questions about the history of Noss, trace progress of the Red Stag (and several other characters who aren’t present with Lago on his journey) and generally speaking expand the scope of the worldbuilding. This book sees another romantic subplot, but unlike in book 1, it doesn’t overwhelm the story in such an abrupt tonal shift, and instead fits more neatly into the epic fantasy structure the rest of the book follows.
Read if Looking For: 90s style Epic Fantasy but Queer, Indulgent Worldbuilding, Tropes Played Straight
Avoid if You Don’t Like: Infodumps, Self-Insert Main Characters, Explicit Sex Scenes








