This is a book that’s been sitting on my ‘priority read’ bookshelf for about three years now. New Weird is a genre I’d been interested in, and Miéville’s reputation as an author who is concerned with his books as political objects pushing against the autoritarian status quo of fantasy really appeals to me. However, I’m finding that extremely large books put me off more than they used to, and I kept pushing it off until I was in the right mood. I left the book with mixed feelings. In some parts I felt in awe of what Miéville was accomplishing, and elsewhere I was disappointed in the choices he made to the point where I considered stepping away for a week or two. I have the feeling that I’ll be thinking about this book for a while, as it seems the type of story to sit with you.

The Premise
New Crobuzon is a dirty, grimy city. It’s filled with trash, corruption, and enough police brutality to make Vladmir Putin proud. It’s also home to humans, cactus-people, women with scarabs for heads, avian humanoids, literal demons, hands that can posess people, a whole caste with intensive plastic surgery forcibly grafting on mechanic or animal parts onto their bodies, among other things. This story mostly follows a dating couple: Isaac (a scientist) and Lin (an artist). Isaac gets recruited by a bird man without wings to get him to fly again, and Lin is recruited by a crime boss to create a masterpiece sculpture. Events spiral out of control, bizarrely leading to eldritch abominations let loose across the sprawling metropolis.
Read if You Like: unhinged worldbuilding, examinations of power and culture, eldritch horrors, characters without happy endings, books to chew on
Avoid if Looking For: fast paced stories, consistent female characterization, happy and mindless books








