Epic Fantasy – Page 3 – Marked for Plot

Dark Moon Shallow Sea

I’m slowly beginning to think that David Slayton may not be the author for me. My reactions to this book feel very similar to his fairly popular series (by gay fantasy standards at least) White Trash Warlock. I don’t want to say that I don’t have any concrete issues with the book, but the biggest one is that the writing style just didn’t resonate with me. It just ended up being the type of story I likely won’t remember in a month.

The Premise:
In the recent past, knights of the sun god killed the moon goddess and her priests, accusing her of consorting with demons. Now the tides have stopped, bloodthirsty shades haunt the night, and poverty is rampant. Rafe was raised in a temple to the moon goddess, and barely escaped with his life. Now a thief, he hears rumors of a strange container being moved by the Knights embossed with the symbol of his goddess. Inside he finds a human named Kinos, and the who escape in hot pursuit by the Knights, including Seth. Seth is an impure Knight, who can call the fire of his god, but isn’t protected from it like the other Knights. And Seth will do anything to claim his god’s favor, including hunting down a thief and a mysterious boy sought out by the church.

Read if Looking For: thief protagonists, dead gods, insta-love triangles, eldritch fire dogs that are absolutely a good boy

Avoid if You Dislike: characters who are part of police forces, twists that feel coherent, breakneck pacing

Masks of the Miscam (Noss Saga #2)

I was so excited when I saw that Wolf of Withervale was a finalist for the Self Published Fantasy Blog Off! I left that book feeling a lot of joy at finding an old-school epic fantasy that leaned into queer identities and culture. It had its flaws (which largely continue in book 2) but I’m really enjoying this doorstopper series filled with ancient artifacts, massive armies, and a lot of gigantic animals. I was disappointed, but perhaps not surprised, at the lukewarm response it got compared to other finalists, and thrilled that this series is getting more eyes on it . This review won’t avoid spoilers for book 1, and you can see my review for that book here.

The Premise:
This book starts with Withervale burning. Lago & Company need to escape with two armies hunting them and start finding other mask users to help them chart their course. This book takes them to a few domes, but the majority of the time is spent in the dome of felines, which gets the most cultural worldbuilding of anywhere so far. This book will also asnwer some key questions about the history of Noss, trace progress of the Red Stag (and several other characters who aren’t present with Lago on his journey) and generally speaking expand the scope of the worldbuilding. This book sees another romantic subplot, but unlike in book 1, it doesn’t overwhelm the story in such an abrupt tonal shift, and instead fits more neatly into the epic fantasy structure the rest of the book follows.

Read if Looking For: 90s style Epic Fantasy but Queer, Indulgent Worldbuilding, Tropes Played Straight

Avoid if You Don’t Like: Infodumps, Self-Insert Main Characters, Explicit Sex Scenes

The City that Would Eat the World

2025 has not been my best year of reading (yet). There’s been quite a few disappointments, a decent number of ‘good, but not great’ books, and one or two that will stay with me. I’m happy to say that I finally found something addictive in The City that Would Eat the World. It was a raucously fun adventure in an alien world that is both utterly unlike our own, while mirroring it deeply.

The Premise
The City of Wall is … a bunch of interconnected walls. A lot of them. They currently cover about a third of Ishevos, with the age-extending god Cambrias driving its relentless expansion. Thea is a mimic exterminator who hosts a flagstone-counting god inside her soul, and Aven is a traveling adventurer visiting Wall looking for the next great thrill. They end up meeting after a god-killing artifact falls into Thea’s lap, and drawing a lot of attention that Thea very much doesn’t want, and Aven very much does. The resulting events will take them across the vast city, bring them into contact with heroes and monsters, and challenge their beliefs about the goodness of Wall (for Thea) or whether toppling it is even possible (for Aven).

Read if Looking For: easy reading, weird megastructures, batshit crazy plans, anticapitalist themes

Avoid if Looking For: themes you have to dig for, gritty and dark books, romantic subplots

The Whitefire Crossing

In my eternal quest for queer men represented in non-Romantasy books, I’ve started to look back at books that I likely missed in my childhood. Published in 2011, this book would have come out right as I was transitioning to reading books for adults more regularly, still desperately closeted in a small town, and craving representation in any variety.

I didn’t quite find that in The Whitefire Crossing. Both male leads are entangled with women, though sequels very well reveal bisexual identities or add new lead characters. It’s tagged as LGBTQ+ in Goodreads though, which is a good indication that there’s something there. Time will tell I suppose. It didn’t blow me away, but had a lot of interesting things going for it.

The Premise:
Dev is a seasoned smuggler, who ferries magical goods across the mountains in trade caravans. Kiran is a mage on the run from his master, and will give up anything to escape. Dev takes him on as ‘one last job’, but the journey across the mountains is anything but the routine trip Dev is used to.

Read if Looking For: extended travel sequences, detailed climbing descriptions, all-powerful mages

Avoid if Looking For: dynamic fight scenes, books high quality female representation

The Truth of the Aleke

The Lies of the Ajungo captured my attention with how deftly Moses Ose Utomi mixed fable elements into a simple, but tightly written novella with an entrancing setting and eye for exploring power as a motif. The Truth of the Aleke continues that journey, jumping forward several hundred years, abandoning the folktale-esque vibes for something more traditionally ‘epic’ while still maintaining the thematic core of the series.

The Premise:
Several hundred years after the events of The Lies of Ajungo, The Cult of Tutu (the now-dead main character of Lies) has conquered the entire desert. Only the City of Truth stands free, relying on its warrior-seers to protect the city from the onslaught. Osi is a peacekeeper who dreams of bigger and better things, and his impulsivity leads him far closer to the action than he ever thought was possible. He wants to save his city, but Truth is not always as simple as it seems

Read if Looking For: interesting takes on traditional story beats, fallible characters

Avoid if Looking For: deep worldbuilding or complex magic systems

Sufficiently Advanced Magic

Progression Fantasy is a subgenre that happily draws on video games, anime, and tabletop RPGs as inspiration points. Sufficiently Advanced Magic happily wears its influences on its sleeves. It’s a big magic school story with lots of cool fights, badass moments, without a whole lot mental load required of the reader. And while I think I ultimately prefer Journals of Evander Tailor for my ‘queer kid enchants items in a big magic school’ read, this is a phenomenal option, and definitely the more widely popular one.

The Premise:
Corin enters the Spire hoping for many things: an attunement to grant him magic, clues about the fate of his brother, who vanished years ago in his own Spire trial, and maybe a fun magic weapon or two. He comes out with all three things (though perhaps none as intended), the attention of one of the immortal Visages who can destroy countries with a thought, and a pissed off abusive father who can’t stand his son got an enchanting attunement instead of one designed for combat. Corin heads to school, hoping to develop his abilities to eventually be able to find his brother and gain independence.

Read If Looking For: anime vibes, overly analytical characters, dungeon crawling

Avoid if Looking For: books without filler, mystic magic, healthy parent/child relationships

The Enchanter

I was a Harry Potter kid growing up, and despite falling out of love with the series for a wide variety of reasons, magic schools will always hold a special place in my heart. I also loved Shoenn Manga, and remember buying the newest Naruto books released to see what was happening during the Chūnin Exams. This has since transformed into an adult love of the Progression Fantasy genre, featuring readable prose, fun battles, and lots of power ups. There’ve been a couple good marriages between these two elements, and even a few with lots of queer rep (Arcane Ascension and Mage Errant both get a big shout out for this!), but Journals of Evander Tailor is by far my favorite. The Enchanter is the first book in the journey, and I’ll keep singing its praises as long as I can.

The Premise:
Evan is the human adoptive son of an elvish tailor. When he discovers that he has magic, albeit weakly, he decides to take the risk of attending an expensive university to broaden his future prospects. When he arrives, he discovers a system set up for nobility to succeed on the backs of commoners, strange eldritch creatures in the woods, and a desperate need to grow his power quickly and avoid being drafted into the military via flunking out.

Read If Looking For: breezy reading, detailed magic systems, supportive relationships, consequences for actions, a thoughtful and pragmatic lead character

Avoid if Looking For: beautiful prose, queer-friendly worlds, magic that remains mystic and unexplained

The Bloodsworn Saga

Normally I review books one at a time. The Bloodsworn Saga made a lot of sense to review as a full trilogy however. Some series develop and shift as they go on, each book taking on something new. They might expand the setting, embrace different themes, or focus on different characters. Bloodsworn Saga, however, is remarkably consistent. Book 1 would receive more or less the same praise and criticism as book 3, with my enjoyment depending on my joy and patience for both aspects. Also, it was tough to resist the call of displaying three of my favorite fantasy covers together. Bekki Guyatt (designer) and Marcus Whinney (illustrator) outdid themselves on these. If you’re looking for epic fantasy with lots of combat, lots of monsters, and big scary gods, this is your series.

Read If Looking For: Nordic settings, lots of fight scenes, epic scope, close attention to gear and tactics

Avoid if Looking For: books without plot armor, attention to theme and character development

Wolf of Withervale

I was drawn to Wolf of Withervale because I’ve been looking for good Epic Fantasy with Gay leads for a while. I’ve found bundles of romantasy, some more experimental stuff, but precious little in the classic older style … but gay. And Wolf of Withervale was exactly that. Massive world about to be thrust into turmoil, magical relics of ancient civilizations, young kid finding himself in the limelight through merest chance. It’s got a lot of what epic fantasy looks for, and it filled the itch I’d been looking for.

The Premise:
Lago’s life changes forever when he is entrusted with a wolf mask. He forgets about it for years only for the wider world to come knocking. He and his closest friend seek shelter in one of the massive, ancient, and mysterious domes that dot the world. And across the continent, the drums of war are pounding. Magical connections with animals, shapeshifting, and romance (including while shifted) are all major parts of this story.

Read If Looking For: grand stakes, imposing villains, ancient magical artifacts, queer cultural references

Avoid if Looking For: books that start in the middle of the action, deep nuanced characterization

The Storm Beneath the World

As and English teacher, I constantly tell my kids not to judge a book by its cover. Dumb advice, but I have to try to get them to give Tamora Pierce a try somehow. It’s also undoubtedly true that a good cover is far more likely to get me to actually look at a book and give it a shot, and great cover artists are hard to find (especially since they and the authors rarely get a lot of say in what the cover looks like). And I’m ashamed to say that, with two horrible covers, I didn’t give The Storm Beneath the World a shot the first few times I saw it. Eventually, the premise of excellent fantasy featuring insect-people got me to pick it up, and thank goodness people kept hyping it. I’m now happy to say that it has a third, much better cover (for my tastes at least), and I think epic fantasy fans will find a lot to love here.

Elevator Pitch:
The world is a river of wind, through which continents on the back of ancient tentacle creatures host countries of insect-folk with some serious aristocracy issues. Four POV characters discover their Talent, a unique skill your are a prodigy at, but that has a serous dark side. Talents can be … well anything. Pottery, farming, conjuring fire, being lucky, sensing lies, etc. But using Talents overloads your brain with bliss leading to addiction, religious and social ostracization, and the promise of a relatively quick death as you ignore basic life needs to live in the bliss of your Talent. But with war looming as the Mad Queen Yil’s island approaches, these four protagonists find themselves pressed into service of Queen Nysh, putting their powers to use for the good of their society.

Read If Looking For: classic epic fantasy style writing in a totally alien setting, insect characters, ethical quandaries

Avoid if Looking For: books that avoid brutal violence, books with familiar settings